Ever the friend of our fellow cartoonists, the Theory Corner staff once again presents a tableau of thought-provoking models to draw. Let's start with Richard Widmark (above) who was a terrific psycho villain when he was young.
A skinny, giggly sadist with a weird hat, a low class dark shirt, and a loosely hanging raincoat...what's not to like? Widmark enjoys intimidating people, and even though he's a sociopath you grudgingly like him...well, in a way. He enjoys his work, and that makes him magnetic.
Basil Rathbone (above) was a great Sherlock Holmes, but he was an equally great villain. To judge from the picture above, he had it in him to play psycho-villains of the Widmark type. The look on his face seems to say, "Thanks for the favor, Pal! I come into your office to rub you out, and you save me the trouble by backing away, right out an open window. You even leave me your cigarettes!"
It's fun to draw women sitting (above) when they're wearing short skirts. Most women in this situation don't know what to do with their legs, and they try to hide them under purses and couch pillows. It's kinda cute.
There's one pose that's that all sitting women try to avoid, and the lady above has just taken it. It's the deadly fork pose where the legs descend in open parallel, and from an angle that makes them look oddly small and out of proportion. They look like marionette's legs.
I like the seam on the couch.
This wise woman (above) avoids the fork by taking a deliberately stylized, closed leg stance, with body thrust forward.
Poor Victor Mature got stuck with this puppet suit (above) in one of his films. Man, one faux pas like this undid all the image building cultivated in his last half dozen gladiator films.
In real life I love to draw conversations between two people who seem to come from different worlds (above). The clash of human types is one of my favorite themes.