According to the book he was gay, but he turned that to his advantage. Being secretly that way prompted him to perceive his screen characters as outsiders like himself. He got good at making us sympathize with their attempts to fit in. If the script wasn't written that way he'd subtly add it in the handling. An interesting technique, eh?
Another book I've started is Ann Radcliffe's 1790 Gothic novel, "The Mistress of Udolpho" (above). It's full of castles and sepulchres, trap doors, sealed rooms and underground passages lit by torches. What do you think of this sample.....
"From Beaujeu the road had constantly ascended, conducting the travelers into the higher regions of the air, where immense glaciers exhibited their frozen horrors. Around on every side far as the eye could penetrate, were seen only forms of grandeur...the long perspective of mountaintops, tinged with ethereal blue, or white with snow, valleys of ice and forests of gloomy fir."
"...the waxen figure of a woman, made by her lover who had found her dead and buried upon his return...a lizard is sucking her mouth, a worm is creeping out of one of her cheeks, a mouse is gnawing one of her ears, and a huge swollen toad on her forehead is preying on one of her eyes."
You don't have to buy it; the book is free on Project Gutenberg. I warn you though, the prose can be frustratingly dense and old-fashioned. It's strange to think that this book with all it's novelties and ghosts was popular in George Washington's time. The British soldiers who fought at Yorktown might have read similar books in their tents at night. Come to think of it, maybe the Americans did too.
The film is rated "R," which is too bad because it glorifies hard work. That's something every kid needs to see.
