Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

Tuesday, September 18, 2012

SAVILLE ROW SUITS


Boy, I wish I could have a suit like the kind Connery wore in the early James Bonds.


I like that tailored look superimposed on a good fabric. The area around the shoulders and neck is especially important to get right. The fabric has to cling like a second skin.


Me, I can't afford a tailor-made suit. I get 'em off the rack.

They (above) never fit right. I probably look horrible in them.



How did Cary Grant do it? He looks like he was born in a suit.



Wouldn't you kill to have real, custom-tailored, Saville Row threads? You can have one like this (above) for just under $5,000.


Here's one (above) by Saville Row stylist, Tom Ford. It has an Armani influence and sells for a measly $2,700.

Since the hippie era men's suits have been regarded with suspicion as emblems of class distinction. They certainly are that, but they're also symbolic of efficacy, intellect, and sophistication. That last point, sophistication, requires a little history to appreciate.

In Louis XIV's time (above) men's clothes were all about ostentatious wealth.  


Beau Brummel, the great simplifier of fashion in Regency England (early 1800s), changed all that. He favored the look shown above. Even kings deferred to him.


Brummel later favored the modification shown above and, once again, everyone followed. Collars were lowered in imitation of the way naval officers dressed. Men like the military look.


Amazingly women's fashions didn't undergo a similar simplification. They continued to wear ornate, Marie Antoinette-style wedding cakes for a kazillion years or so. Sophisticated style was the domain of men from Brummel's time til after WWI.


                                                   
England is a cold and damp country so eventually Brummel's sporty look gave way to the frock (above), which was long and sheltering, and always buttoned in the front. The frock favored the tie which was initially used to show off the wearer's school or regional colors.



The older Brummel design was kept alive by sportsman and military men who preferred the freedom of movement it afforded. Horsemen especially favored this cut and, since most people rode in the mornings, this type of jacket was called a "morning" coat.

The modern suit jacket is the inevitable result of combining the frock and morning coat in one medium-length jacket that can be worn all day long.



Buttons on the sleeve came about because physicians insisted on them so they could roll up their sleeves without taking their jackets off.  Saville Row began by catering to the doctor trade, so the buttons persisted, even when they were no longer in demand. Maybe also because they seemed to denote military rank.

Sigh.



Monday, February 13, 2012

RANDOM THOUGHTS ON FASHION

Boy, women (above) sure like fashion! 


What's in now are thick eyebrows and unibrows. You see them everywhere. Some people attribute that to the influence of Joan Crawford in the forties. Maybe, but my guess is that it started big time with the rediscovery of the feminist communist painter, Frida Kahlo (above). Kahlo did a zillion portraits of herself which not only emphasized bushy eyebrows but also her girl mustache and jaw line hair.


That's Kahlo in real life (above), proudly displaying her mustache.


The Kahlo mustache failed to catch on but, as I said, thick eyebrows are everywhere.


Imagine how that makes girls like this one (above) feel. Lots of girls permanently removed their entire eyebrows thinking that thin, painted on brows were the height of chic, and would be with us til the end of time. Aaaargh! Fashion can be cruel. 


On another subject, I observe that a lot of women still like to knit (above).


And they still knit for their boyfriends (above), too.


On yet another subject, here's an outfit (above) that was around when I was a kid: bottle cap hat, loose top, ultra-tight calf-length skirt, and long, long cigarette holder. It was the "Pepsi Generation" look.

This (above) was around at the same time: Scoop-back dresses with face fish net festooned with little black balls or cloth bugs. John K is obsessed with these bug nets.


The latest fashion is sneakers with toes. They make everybody's feet look like Goofy's. This (above) is the most popular brand: "Vibram Five Fingers." It started as something for barefoot runners but now they're regarded as chic, and even couch potatoes have them. They require socks with toes.

Interesting, eh?




Wednesday, January 25, 2012

MEN'S FASHIONS TO DRAW

Here's (above) some men's fashions that might be fun to draw. The first is from Life magazine circa 1949. Life liked this style, and so do I. Thin people look great in over-size clothes.

Here's (above) Glenn Gould in the 1970s. I wonder if "Lawrence of Arabia" influenced this look. It reminds me of the flowing robes that Bedouins wore in that movie.   



Here's Elvis Costello wearing the thrift store look. How do you like the "Saturday Night Fever" style on the guy on the far left?


Above, author Antoine de Saint-Exupery wearing a short, wide, hot water bottle tie.


Here's Gerry Mulligan in profile (above), looking like he was drawn by Wally Wood.

Mike sez that the "Double Cross" fez (above) is no longer available. Joe just wrote in to say that the company reconsidered, and the fez is once more for sale. Better order it fast before they chage their minds again. 


There's Ed Sullivan (above) again. I couldn't resist. How did he think of those poses?


Above, John Ford wearing the tight sweater and baggy pants that were popular in the teens and twenties. That look returned in the 70s. 


Above, the plaid jacket and saddle shoes that were popular with young "angsty" intellectuals in the 60s.


Here's (above) the way saddle shoes were worn in the late 40s and early 50s.  Interesting, huh?


Monday, May 30, 2011

SHORT WOMEN

Okay, it's time to discuss science. I'll begin by conceding that some girls (above) are bigger than their boyfriends...we've all seen a few couples like that. 


Most girls, however, are significantly shorter than their men. I mean a LOT shorter! Standing beside them is like standing next to a kid.  They're such tiny little things!


I grant you that women (above) are not without gifts...




...but the fact remains that we men could all have million dollar bills taped to the tops of our heads, and most women would never know it. It is we males that see over the world's fences, we that commune with the gods of the sky.


The result of this inequality of height is that women have become obsessed with appearing taller. By the millions they painfully walk on stilts (above) to buy a few extra inches.
  


 Women are always complaining that they can't find comfortable shoes, and no wonder...there is no such thing as a comfortable stilt. High heels can also cause serious damage to bones and muscles, but women wear them nevertheless...so great is their desire to look their boyfriends in the eye...or at least the chest. 


The desire to appear taller also affects the way they dress. They wear miniskirts because it makes them appear taller. That's fine by us men, but it really limits the way women can move.


It even effects their hair styles! They wear long, straight hair (above) to give them added verticals to fake height.


Have you ever wondered why women carry such big handbags? Part of the reason is that they have to carry a big old pair of sneakers with them. High heels hurt so much that they need to constantly switch shoes during the day. It must be a drag to carry those big bags around, but girls think the added height is worth it. 

All this is puzzling to a guy. I mean, women look better than we do, even when they're small...why  obsess over height? I don't know. Can anyone out there explain this?


BTW: Thanks to the brave soldiers, past and present, whose sacrifices made free expression in blogs like this one possible!



Saturday, February 19, 2011

SCHIAPARELLI

I admit that I don't know much about the fashion world, but a couple of weeks ago I thumbed through a giant book (above) about designer Elsa Schiaparelli, and I'm glad I did. She was one of the makers of the modern world.






Her first Parisian designs were heavily influenced by Surrealism. She had a great sense of humor. What do you think of the fur shoes (above), or the hat (also above) that deliberately looked like an upside-down shoe?


After a time she set up a second studio in Britain,  to be close to the wool manufacturers. They were experimenting with all sorts of new weaves and she wanted to be the first to see if anything interesting could be done with them. Seeing that a famous designer had set up shop right across the street, the mill people went out of their way to come up with new fabrics for her. It's a case of art and industry combining for mutual benefit.



She designed funny, over-the-top clothing all her life, but the designs which most interest me (above) are the minimalist, almost military designs she did in the thirties and forties.


She was going for simple shapes that emphasized quality fabrics and careful cutting. I imagine that Calvin Klein must have been influenced by Schiaparelli, only he took the additional step of making this kind of elegance available for a price that most working women could afford.

[Let me digress for a moment to defend Klein against his many detractors. Like a lot of people I was dismayed when Klein turned jeans into a high fashion item. It seemed to defeat the whole purpose of jeans, which was to break down class barriers and promote a youthful, adventurous approach to life. What I failed to realize was that tastes change and jeans were doomed to drop out of sight anyway. By adding design to them Klein gave them decades of additional life on the shelves...and they still functioned as class levelers. No small achievement, that. Klein was a hero.]


Over time Schiaparelli developed "The Knack." It seemed that everything she touched, even scarves (above), were characterized by simplicity and elegance.



I don't think Schiaparelli designed this (above), but it owes a lot to her sense of fun and surrealism. Lots of things we take for granted now began, at least in part, in Shiaparelli's head. One writer credits her with the idea of the fashion show, with it's combination of runway, art, music and long, skinny women. Man, some people just write their names on an entire age!