Tuesday, May 20, 2008
MORE ABOUT MORRICONE
Here are two more Morricone themes, again conducted by Morricone himself. The one above is from "The Untouchables" and the one below is from "The Mission." Compare this to the Leone westerns in the post below; the western music succeeds and the ones in this post fail. Of course that's only my opinion, but for the sake of argument let's suppose I'm right. The question instantly comes to mind: why was Morricone so inspired by the Leone westerns?
Come to think of it, maybe what I'm really asking is, "What kind of story lends itself to good film music?" it seems to me that that the answer is, the one with subtext. Composers like to play with subtext because that way they're providing information that the story only hints at. They get to participate in the writing. A good composer lets you know, for example, that "Batman" is really a story about the grandeur of Gotham City and the efficacy of man, even if the writers fail to mention that.
This applies to visuals as well. A good book illustrator doesn't slavishly illustrate the events in the book. He adds to them. Take a look at the book illustrations Steve Worth put up on the ASIFA Hollywood site. Look at the illustrations by Tenggren, Dulac, Nielson, Deitmold and others. The best illustrators added to the text. In their hands Goldilock's forest is full of magic, mystery, and awe-inspiring beauty...all things never mentioned in the text.
The Mission was written by Robert Bolt who wrote the brilliant "Man for All seasons," but he goofed here because because his story had no subtext. Everything you could say about it was in the text. All that remained for the composer was to put happy music under the happy scenes and sad music under the sad scenes. Putting a creative guy like Morricone on a movie like this was a waste of talent. Not so with Leone. Sergio's characters were nuanced and mysterious, and the music helped to define them. In fact a lot of the philosophy in the film was in the music.
I'm tempted to talk about subtext and music in the Clampett and John K films, but I guess that'll have to wait for another day.
Sunday, May 18, 2008
ENNIO MORRICONE
Here's (above) a Munich orchestra performing Morricone's "Ecstasy of Gold" theme from "Good the Bad and the Ugly." Wow! Surely Morriconne was one of the great classical composers of the 20th century! With films or film-like ideas for inspiration the 20th Century should have been one of the great eras of classical music. Jazz was about to enter classical music...you see it coming with Gershwin and Ellington... yet classical died with the onset of the hippie era. Why? So many golden ages were put on hold so the hippie era could be born. Something about those days sapped the confidence of non-hippie art. Maybe drugs did it.
Getting back to Morricone, he evidently needed Sergio Leone for inspiration. His post-Leone work isn't nearly as philosophical and appealing. Maybe it's worth spending a couple of minutes in an attempt to figure out what that philosophy was.
Maybe Morricone was making a religious statement. In the old days the discovery of a murdered corpse filled everyone with terror and awe. That was the time when people still believed in something. People crossed themselves, lit candles, fell on their knees. The fact that someone was deliberately killed meant that a soul was taken to judgement before its time, burdened with all its imperfections, and that another soul had undertaken to defy God and would almost certainly burn for eternity. How different than nowadays when a corpse is just a statistic.
Or maybe Morricone was making a secular statement about the value of life. Our lives are so short and being alive to witness the wonders of nature is such a precious gift. You have to wonder how people could snuff it out so casually.
In the slide show above the bad guys are portrayed as thoughtless demons of the underworld, or as people who are so stupid and debased that they casually risk the loss of life. Henry Fonda is portrayed as different. He's the head of the gang but he's fully human and he knows the horrible consequences of what he's doing, yet he does it anyway. A couple of minutes into the slide show you see him looking into camera with that look that shows the greatness of man combined with the cold indifference of pure evil.
Friday, May 16, 2008
NEW TALENT!
Wow! There's some interesting YouTube filmmakers out there! What do you think of these two guys? The first goes by the name "Forgettable" and is anything but. Here's (above) my favorite Forgettable film: "The Robber's Apprentice."
Here's (above) Forgettable making a funny film with just two kids and a couple of overcoats.
Here's Forgettable and a friend (above) doing a whole video of funny walks. Every cartoonist and animator should do the same, in fact every animation teacher should assign this.
Here's another film from Jorge, and it's a doosey. Jorge's friend's brother did it. Considering the age of the actors the film is amazingly sophisticated. It has humor, balance, character, movement, story...everything you could want. It's great to see a natural at work, somebody who's born to hold a camera.
A NEW ANIMATION EXHIBIT!
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHay_-PmEnty8-vYRwzm1lRDHJfhIM4dWycg9mMAz3DSbERhyBW5Z_SqqAG1-nKTUeCus27DvgU_kHwi2xvBAIi29Z8yZIepq3h4wd9iDirCyHAmU5ih-pFu8VFMpZ43ORCSGLCQ/s400/jerryandeddie.jpg)
Here's Jerry Beck and I at the opening earlier this evening of the new animation exhibit at the Motion Picture Academy. Of course the camera was equipped with the usual fat-enhancing lens, which somehow managed to spare Jerry.
The exhibit was great! You wouldn't believe how much Mary Blair was on the wall, and there was some choice Jones art including layouts and backgrounds from "Rabbit of Seville" and "What's Opera Doc." Clampett was well represented with original model sheets, storyboards and story and gag synopses. You could read an early version of the story for "Piggy Bank Robbery" which included a number of gags and villains that didn't make it to the final film.
I even liked the live-action set design exhibit on the fourth floor. It's not enough to see stuff like this on the screen. You have to see it and touch it and walk around in it. When you do, you'll realize that you've lived your life wrong and that your own home is sad and pathetic and lacking in character.
Here's (above) a reprint of the fashion girl from the previous post. I put it up again because I realized that I missed something about it the first time. You know, this girl isn't really such a bad speaker. She talks too fast, and her references are too cliched and too ghetto, but she's not without skill.
I actually like the way she posits an imaginary opponent that her arguments are directed to, and I like the way she puts on a different persona when she talks to that character. I like her confidence (drugs?) and I like the way she uses facial expressions for punctuation. I also like the way she sees the world as being populated by goofballs and people who can't see the nose in front of their faces. That's classic storytelling technique. You create a caricature of the world then make fun of it.
All these are good techniques, she just plugs in the wrong words. She should caricature specific people.
Thursday, May 15, 2008
ONE MORE TWYLA VIDEO
Just so you know: I do NOT have a crush on this girl. I put up another of her philosophy videos just because it's unique and I don't know what to make of it. Here she toasts the audience with a glass of wine studded with giant glass jewels, and stirred with her fingers. I don't know why but that gesture immensely impressed me. The video is 10 minutes long but I can only recommend the first four minutes.
As Chris and Matt observed about the previous post, Twyla is kind of...well, Twyla is Twyla...but you have to give her credit: she's funny and has style, at least in this
video.
I also like the fact that she likes men. I mean men in general, not just Mr. Right. Some girls have base motives for that, some girls are just flirts or love humanity in general, but then some girls do it because they seem to like playing the role of muse for the men in their lives.
When a muse makes an effort to charm a guy I think the guy should accept it as a luxurious gift. He should fall in love with the muse and accept the sting of rejection when he discovers that he took it too seriously. Stendahl said creative people should always be in love.
Like I said, in spite of appearances, I do NOT have a crush on Twyla. She's not my type. I just like the way she provokes discussion, even when she has her fingers in the wine.
Just for fun, here's another philosopher courtesy of Jorge Garrido.
Wednesday, May 14, 2008
GIRL PHILOSOPHERS ON YOUTUBE
When I woke up this morning I made some coffee and ate breakfast infront of the computer. While I was eating I did a YouTube search for "Girl Philosophers" and this is what I found. To my surprise girl philosophy is a whole genre. Who would have thought? Here's a sample....
Monday, May 12, 2008
PHYSICS FOR CARTOONISTS: THE HIGGS BOSON
If you're not interested in physics you should stay and read this anyway, because something major is about to happen and when it does you don't want to regret that you missed a chance to have it explained simply. I don't pretend to understand it myself, and the odds are that I'll goof up the explanation, but it's better than nothing...so read on!
CERN, the European particle accelerator lab, is going to turn on it's new 6 billion dollar LHC collider later this year. It's first task is to look for the Higgs Boson, the so-called "God particle" that's thought to be the reason other particles have mass.
According to Higgs, the natural state of all particles is be massless and to travel at the speed of light. The reason that only photons and gluons really do travel that fast is that other particles are slowed down by the medium they're forced to travel through, something called the Higgs Field.
The Higgs Field (if it really exists) is a field, just like a magnetic field. It's everywhere in the universe, that's why even the most remote part of space isn't really a vacuum. It may be clear of particles, but it's not clear of fields.
Astronomers were amazed to find that the universe is not only expanding, but that the expansion is accelerating. Nothing in our experience can account for that, so it was necessary to posit a repellent energy that existed even in the vacuum of space. Lots of theories were put up to speculate where that energy might come from, including the idea that it might be leaked into our universe from parallel universes. That remains a possibility but the theory that excites physicists the most is that it has something to do with an as yet undetected field, the Higgs Field.
The Higgs Field is so important to the current standard model of physics that if it's not discovered we'll have to throw out a lot of current ideas about quantum physics and cosmology.
One problem with the CERN experiment is that in order to discover the Higgs Boson (the particle version of the Higgs Field) they'll have to recreate the simpler condition of the universe as it was less than a billionth of a second after the Big Bang. That condition might be what we would call today a black hole. One group is attempting to get a restraining order against CERN, arguing that a micro black hole, once started, might be impossible to stop. Such a black hole might consume the Earth, maybe our whole solar system.
CERN says not to worry, that Hawking Radiation would sap energy from the black hole and prevent it from growing, but CERN's critics point out that Hawking Radiation is a controversial theoretical construct which has never been born out by observation. What if there is no such thing as Hawking Radiation? The black hole will keep growing.
I assume the CERN people know what they're doing, and I'm dying to know the outcome of the experiment, but I'll sleep a little easier when all this is behind us.
The first video I put up (at the top of the page) gives an overview of the LHC (Large Hadron Collider) that'll become fully operational later this year. The other video shows Peter Higgs, one of the people who got the whole thing started. I don't understand a lot of what he's saying but the man is fascinating to listen to.
BTW, I forgot to mention why the question of mass is on the front burner these days. The accelerating expansion story I mentioned is one reason but there's more. The reason is that we now know the masses of all the quarks, etc. that make up matter. The problem is that when you add these masses up they don't equal the mass of the particles they're part of...not by a long shot. So where does the rest of the mass come from? It must come from something outside the quarks, maybe from a field of some sort. If it exists, that might be the Higgs Field. Interesting, huh!?
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