Tuesday, June 08, 2010
CRAWFORD SLAPS
How 'bout some Joan Crawford slaps (above)? There's some real dooseys here. Slaps are a useful dramatic device. The writing in a scene builds up to its slap, as does the performance. The worse thing a writer can do to an actor is to leave them rudderless in a scene that meanders all over the place. Slaps give a scene a direction, something to build to.
My favorite screen slap of all time is the one in "Mildred Pierce" where Crawford's daughter slaps Joan on the stairs. Crawford is completely disoriented and nearly falls off screen. No wonder...the slap was real. Crawford insisted on it. I wonder how many takes it took to shoot it?
Was Crawford tough in real life? I'm not sure. The stories are contradictory. In the interview above Arlene Dahl implies that Crawford deliberately threw her drink at her while at a dinner party. In the same interview Gloria DeHaven says Crawford unselfishly taught her a really useful vocal technique, and tells us what the technique was.
My guess is that the real-life Crawford was usually pretty nice, but we can hope that there were exceptions. I like to think of her as the hostess in this scene (above), where she fires her maid for dropping a cup. Crawford's real life daughter Christine, author of "Mommy Dearest," claims she was just like the roles she played in "Queen Bee" and "Harriet Craig."
BTW, I think the person who uploaded this video meant to title it: "Joan Crawford Is Pissed in the Movie Entitled 'Harriet Craig.'" The present title implies that Crawford did something unspeakable to someone named Harriet Craig.
What a whiner Crawford's real life daughter was! Here (above) Christine gets the punishment she deserves by being a guest on a nightmarish Italian TV show that never lets her speak. Watch it to the end because the actor who dubbed Cliff Robertson's voice does an even more over the top vocal than Robinson.
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19 comments:
Eddie, you've suddenly have gotten me interested in Joan Crawford's work. I've heard of her plenty of times before, but I've never really watched any of her films. Besides something like Mildred Pierce, where would I start if I wanted to see her at her best?
Seems really weird for a kid like me to like or even know about this stuff, does it? Thank God there's this kid in my grade who actually loves and appreciates classic film, especially Hitchcock, along with Broadway musicals, and Disney films (including their cartoons). In fact, he even knows who Robert McKimson was! He's a very excellent actor by the way in his theater class, and he often makes these funny movies with his friends. One of them even told me that he's studied Alfred Hitchcock's cutting and editing techniques to improve the way he produces his own movies.
I sure scared you the other day with that comment, but hopefully, I've provided huge exception to that chilling story. Not to mention that the girl's brother was like 17 at the time. To me, that's no excuse not to know who Elmer was, especially when those cartoons were frequently shown throughout the 1990s and early 2000s. When I was watching "Tortoise Wins By a Hare" at his house once, he even admitted to remembering watching that cartoon. Seems like outright ignorance that seems to be pervading throughout my crummy generation.
Phew, that comment turned out to be longer than I thought. I hope you don't mind, Eddie.
If you've not seen it yet, check out the film "Sudden Fear" with Crawford, Jack Palance, and Gloria Graham. One of the best Film Noir's ever made.
Why can't you give me the respect that I'm entitled to? Why can't you treat me like I would be treated by any stranger on the street?
Her daugther, OWNED!
Nice"Watever Happened to Baby Jane" poster in the background of Christina Crawford clip....
As soon as I saw the title of this post I thought of that slap in Mildred Pierce!" It's great!
This week on TCM they're showing a Joan Crawford movie from 1930, Our Blushing Bride. I haven't seen it yet, but I bet the people on this blog would be interested in knowing.
What a dainty punctuation to an argument when dialog can no longer express your dramatic sentiment.
No one ever flinches or seems to expect it except Clark Gable & he don't care.
unrelated:
hey eddie, thought you might like this video:
http://www.wimp.com/secretpowers/
quite a bit of stuff of said in 10 minutes, also the visuals are cool/fun/partly distracting
wait, also:
http://www.wimp.com/spacesaving/
this is something you might see as a post on yr blog, haha. kinda like a companion piece to the upside down house post or something.
pretty cool furniture stuff
Not Joan but somehow Joan-esque, in my opinion; opening sequence to Sam Fuller's Naked Kiss. I guess he wanted to give the film some direction, as you say.
rightonthekisser
That's Ellen Corby of The Waltons as the butterfingers domestic, breaking bitchy Joan's coffee cups.
Personally, I can't stand daughter Christina. Whenever I see her, my first thought is that Joan should've used wooden hangers instead. They're heavier, and leave splinters...
Warners Archives has a TON of newly issued Crawford movies on DVD. Check out Dancing Lady, Spring Fever, Chained, Love on the Run, The Women, Rain, Grand Hotel, Letty Lynton, Strange Cargo, A Woman's Face, Above Suspicion, The Damed Don't Cry, Sudden Fear, What Ever Happened to Baby Jane, Humoresque.
"No...wire...hangers...EVERRRRRRRR!"
"Don't with me, fellas! This ain't my first time at the rodeo."
I've said this before, and I'll say it again. It's great that Joan Crawford's image is getting rehabilitated since Christina wrote that book about her.
Joan wasn't a perfect parent. She was overly strict and she had a drinking problem. That said, there were Hollywood stars who were much worse as a parent than Joan was.
She really was a good actress. I loved her as the villain in The Women (although Roz Russell stole the picture), and I liked how she played her role in the campy Female on the Beach very seriously. I also liked watching Jeff Chandler in nothing but his swimming trunks in that movie, too, but that's a different story...
Jack: A great link! Very clever furniture. John K has a coffee table that turns into a dinner table and he loves it. I'm not so sure about the Murphy beds, though. Kelly once wrote a comment saying that she had bad experiences with them. I'd like to try one.
Jorge, Anon: Thanks, I'll look it up! The Crawford film I'm really dying to see now is Harriet Craig. Netflix doesn't have it.
Thomas: Haw! A how-to-kiss video. Now I know what liplock means!
Roberto: It is odd that this generation is so little interested in history. Maybe something about the internet or the medium of computing makes everybody interested only in the present. I wish I could get Marshal McLuhan's take on this.
There's a small bright side to this, namely that the few who do take an interest in history will have tremendous advantages. The past is a treasure trove of ideas and techniques, some of which were never adequately explored at the time they were created.
Mike: Haw! True, so true!
Anon: Nice to have those titles. Thanks!
Pappy: Punctuation! You're right, Crawford uses slaps as punctuation!
Anon: I just saw Sudden Fear. It was great!
Jack: Wow, that lecture at the drawing board that you linked to was fascinating, as much for the film technique as for the content.
Thomas: Good old Sam Fuller.
Jennifer: Female on the Beach is on Youtube, possibly in its entirety!
oh man, eddie, i found another one of those animated clip things:
http://www.youtube.com/watch?v=u6XAPnuFjJc
these are real cool, make-ya-think type things. i dig em.
I wish one could watch the Joan clips without the technobeat "music" as it's most obnoxious. Kind of undercuts it for me but then I like the films as films and scenes as scenes.
Jack: Fascinating stuff! Thanks for the link!!! What he said about incentives had the ring of truth.
Anon: Gee, I kinda like that Best Shot song, at least as accompaniment for the slaps. It feels like it was custom-made just for that video.
I love those cartoon white-board lectures Jack linked to!
That last one explains just what happened to animation as the profit motive "became unmoored" from the purpose motive (i.e., making funny cartoons). Animation started moving closer to the minimum legal standard of what constitutes filmed entertainment. Profits went up, wages went up & management salaries went through the roof. Companies needed to pay execs more because some other company may poach the geniuses who made them all this money by freeing
us all from purposefulness.
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