I used to storyboard for a live-action director named Colin Higgins, and Colin told me to use back shots as frequently as possible, because it's a great way to reveal character. I agree and I used to call for it in animation sometimes, though I probably shouldn't have. Only a few classic animators like Tom McKimson felt comfortable with this angle, and most modern animators probably dread it. Anyway, back shots are what we're talking about here.
The old Pakistani man on the right (above) seems to be suffering from osteoporosis, and from a side view he'd probably appear like a question mark. The squared shoulder, the half-hidden head, and the gentle and wise position of the arms and hands seem to tell you all you need to know about him. This is an exceptional amount of information, even for a back shot.
The girl in green (above, left) is wearing a light and airy, unpretentious house dress. The hairstyle is neat and practical, the attitude of the body is confident and contented. She's a likable person, all the more because she appreciates the positive visual impact of clothing wrinkles!
Two people who are worlds apart: The bridesmaid full of anxiety, with the bondage strings in the back (above, left), and the traditional old woman, making her way down the street in a shapeless, widow's dress. You admire the older woman because you know she's devoted thousands of hours to bringing up a family.
Osteoporosis (above) again, though a milder case. The jacket is modest but not unfashionable, and the hat is color co-ordinated. High-heeled boots. Maybe this woman is an artist. The spindly legs disappearing up into the jacket, come to an odd end at the top where the hips are unexpectedly wide. It creates a mystery, which is a very considerate thing to do for the people who walk behind you.
You see lots of back shots like this (above) in drawings made a hundred years ago. The jacket is tight around the shoulders with gravity pulling down loose fabric in the back. It's the perfect suit for a tall, older man on the go, someone who was used to thinking on his feet and giving orders. The interior volume of the umbrella makes a perfect contrast. He's taking large, manly strides.
Holy mackerel! An interesting dress (above)! It's inappropriate because it's too tight, but that doesn't prevent her from projecting a strong personality. She thinks she looks good in it, and her confidence wins us over; besides, she's probably doing it to impress a guy, and whenever a girl dresses to impress a guy can't help but be flattered.
I always find myself rooting for girls like this, hoping they'll get the get the guy they're after. I always want to know their story. Everybody should possess some clothes that that subtly suggest a backstory.
Whew! Another strong contrast! The woman on the left (above) is vain, overly fashion-conscious, probably flaky, maybe abuses pills...but, she makes an effort to please, and that makes up for some sins.
The woman on the right (above) is earthy and self-confidant, probably more intelligent than people give her credit for. She's independent, proud that she thinks for herself, maybe not open as open to new ideas as she should be. I always think this is a wrong life strategy.
You should never be self-contained. There should always be a part of you that needs other people, and can be hurt by them. I think people should always be somewhat incomplete without other people, regardless of the consequences. But what do I know?
BTW: The pictures are all by Maira Kalman. Sorry, I can't remember the name of her book.
The problem with animation writers, one of the many problems, is that they don't write visually. For them visual writing means lots of chases or excuses for fast cuts. When I think of visual writing I think of schtick.
For the life of me I can't understand why an artist would practice yoga. Actually, I can't understand why anyone at all would practice it. It's an awful lot of work and what do you get for it? You get to be rubbery. Since when was being rubbery so special?
What really needs to be explained to me is why artists would be interested in it. Am I the only one who's noticed that yoga poses are ugly? Why would an artist try to cultivate ugliness? We're the people who are supposed to make the world more beautiful!
Honestly, I think yoga goes out of its way to be ugly. Ugly poses occur far too frequently to be caused by random chance.
Even traditional Indian art ignores yoga. The dancing Shiva is beautiful by any standard and the Kama Sutra is informed by something resembling yoga but not dominated by it. I know nothing about Indian history but I'll hazard a guess that yoga came to India fairly recently, maybe only a few centuries ago.
India must have had a charismatic Richard Simmons-type who convinced everybody to dispose of tradition and adopt ugliness instead. Who WAS this malevolent person? Why would he do such a thing? Why did people listen to him?
Yoga not only violates traditional Western ideas of beauty, it flies in the face of an international consensus. Everywhere you go outside of India the people have developed some kind of aesthetic fitness training.
Whether it's hula or karate or tai-chi or hip-hop, the moves are all intended to be beautiful. Only yoga defies the aesthetic standard. OK, that's my take on it. I'm going to get a sandwich.
One of my favorite newspaper cartoonists of the WWI era was the great Rube Goldberg. Unfortunately for Rube he's mostly remembered for the "Rube Goldberg Device" where a chain of events eventually causes a bucket of water to tip over and fill the thirsty man's glass. That's all clever and appealing but it's not the man's best work. If you've only seen the inventions, then read on. You're in for a treat! Be sure to click to enlarge! 
The poses in "I'm Cured" (above, topmost) are terrific, especially the running pose on the upper right corner. When I first saw it I was so inspired by the jacket that I ran out to a thrift shop and bought one just like it. The thing rides way up in the back and when I raise my hands up the jacket shoulders stay up there, even after I put my arms down again. What a find! I still have it.
Aaaah! Refreshed at the fountain of Goldberg! For me these four panels (above) are art, suitable for a museum. I love the running poses on the bottom! Rube's universe is all about ordinary people. Not handsome men and beautiful women, just ordinary people doing the best they can.
Rube, who was tall himself, did great tall people. I love the placement of trees (above) behind the guy.
How do you like the arms on the woman above? The simple staging, deliberately stiff pose, and obsessively horizontal lines in the shadows make the picture even funnier.
That's Rube on the lower left. Goldberg always said that he had a great childhood and this photo bears that out. But where's his mother?
