I'm glad the Gillray post was so well-received. That emboldened me to talk about my other favorite cartoonist of that era, George Cruikshank. That's a Cruikshank drawing above, possibly influenced by Gillray.
Cruikshank and Gillray were contemporaries, though Cruikshank was the younger man, and was more likely to go after (in the words of one critic) the "low" kinds of gags (above).
Cruikshank was really funny but his early work shows him struggling with draughtsmanship. He had a mannered, off-kilter way of drawing (above) which he never fully shook off. Amazingly he was able to make it work for him in later years, but I'm getting ahead of myself.
Here's (above) a Cruikshank comet. Like so many cartoonists of yesteryear he thought nothing of tackling immense crowd scenes.
Here's (above) Cruikshank in his first mature style. Very funny. You can see the influence of Hogarth and Gillray, but it's still unmistakably "Cruick." Click to enlarge.
Cruikshank lived a lot longer than Gillray, and he experimented with a lot of styles (above).
He became a terrific pen and ink draughtsman. Sketches like these from 1839 were a big influence on the stable of artists working for Punch magazine.
Book illustration became a big deal in this period and Cruikshank morphed once more to adapt to it.
Along with Thackerey (yes, Thackerey the novelist) Cruikshank illustrated a number of Charles Dickens' novels. I don't know if he made much money on it since Dickens was famous for putting his illustrators through Hell.
The illustration above isn't from a Dickens story, but the style is the same. Some of Cruikshank's illustrations from this period look like they were lifted from "Humbug" magazine. The influence of Cruikshank on Kurtzman and Elder is unmistakable.
Remember I said that that Cruikshank had a mannered style when he was young? He eventually shed some of it and became a skilled classical draughtsman, except that he became appalled at how tame his drawings were getting so he re-introduced his youthful, off-kilter style back into his mature work. The blend was incredibly successful...sort of surreal and realistic at the same time... and influenced many other artists, in fact it's still used by illustrators today. If there's a lesson in that, it's "Keep your old drawings, even if they seem primitive; you may need them someday."
Cruikshank had an enormous influence on his field but others benefited from it more than he did. He died in near poverty.
Next post on Monday night.
