Showing posts with label eccentric dancing. Show all posts
Showing posts with label eccentric dancing. Show all posts

Sunday, April 12, 2015

FOR MY KID

My kid's feeling down in the dumps now and I thought I'd post something to cheer him up. Here, courtesy of Steve, is Jack Stanford, "Eccentric Dancer Extraordinaire."



The Jazz number Stanford dances too is pretty good but I think it would work even better with this song, which comes courtesy of Mike. It was used in the 4th season of "Breaking Bad."

Cheer up, Guy!

[BTW: on my computer the YouTube video above was slow to appear. I hope it works better for you.]

Friday, February 28, 2014

THE ART OF ANIMATION DANCING


That's (above) the old Chouinard art school in the 30's, the school that later morphed into Cal Arts. It was Walt Disney's idea to combine the Chouinard Art Institute and the LA Conservatory of Music so that different artistic disciplines would be taught under the same roof. It was an interesting idea...cross pollination and all that...but did it work?


One problem was that formal modern dance got very serious more than half a century ago...too serious... and dancers committed to that might not have been the best people to inspire comedic animators.



You have to wonder what would have happened if a showbiz dancer like Bob Fosse had supervised the Cal Arts dance program. Imagine the young Fosse lecturing to an animation class.



He would have shown them things like the Astaire tilted hat, the Jolson extended arms, face-open palms like a minstrel, clowning pantomimes, hiccuping joints, locking arms and legs that take a pose then suddenly drop it, tiny stepping like Jimmy Durante with knees bent and arms dangling behind...it would have been quite a show.



Fosse believed in keeping the actors moving, in establishing a stylized, confident flow that's never contradicted by a wrong gesture. He was influenced by what vaudevillians used to call "eccentric dancing," and he combined that with ballet.


Wow! What a teacher he would have made! What an influence such a teacher might have had on subsequent animation styles. Hmmmm....if any Cal Arts students are reading this will you write to Theory Corner to let us know how the dance/music/ animation synthesis is working out these days?