THE OPENING OF "CLEAN SHAVEN MAN"

How 'bout a post about the opening of Dave Fleischer's "Clean Shavin' Man?" I love this film (above) because it's so cartoony and the plot is so simple.

Take a look at the background painting. It seems like the diner wall is right up to Bluto's back. And how did they ever manage to squeeze through that tiny door? No matter. The perspective is deliberately off and it works fine.

Olive Oyl walks through scene (above) singing "Clean Shavin' Man" and Popeye and Bluto ogle her. And no wonder...Olive is clearly the most sexy woman in all of classical full animation. I'm tired of beautiful women in classic cartoons. Beautiful girls just aren't funny....okay, Coal Black is, but she's the exception that proves the rule.

Anyway, Olive does a sexy strut back and forth through the scene and Popeye and Bluto go bananas. I love the look on Bluto's face which is simultaneously lecherous and completely innocent.

Geez, what does Popeye's chin remind you of? I can't believe the Fleischers got away with that!

I love the the fact that Olive is so close to them. The counter separating them is really only as wide as a plank, and the dishes on the counter are drawn as ovals to fit them in. That's the way cartoon characters should be sometimes...real close...violating each others space.

To save blog space I eliminated the closeups where Popeye and Bluto resolve to go to a barber shop. Here they get up together, which is funny. Look at the position of their arms, and how massive Bluto is.  

Bluto completely covers Popeye for an instant...

...and the two shrink in order to fit through the door. The way they walk out is treated as a gag, and it is...in fact, gags like this are some of the most important gags a film can have.

Olive Oyl is huge in the foreground. I love it when characters do something simple in the foreground while other characters do something more complex in the background.

Man. all this space and we've only covered the start of the cartoon!