Showing posts with label sem. Show all posts
Showing posts with label sem. Show all posts

Sunday, March 06, 2016

JEAN SENNEP: GENIUS CLASS CLOWN

Many thanks to Jo Jo and Steve Worth for turning me on to Jean Sennep, the funniest 20th Century French cartoonist I know of. That's his work above. Sennep must have been the king of the French class clown artists.  I defy anyone to look at his best work without laughing. It can't be done.


Sennep did a lot of political caricatures. In the example above I don't know whether he was satirizing a real sex scandal or whether he simply decided to draw perfectly normal targets in drag in order to make them look ridiculous.  


Hitler was said to have seen a caricature Sennep did of him and was furious. Yikes! Imagine having Hitler mad at you!



I looked up Sennep on the net and discovered that Sennep was influenced by an artist named Sem.  That's his work above and below. The yellow wallpaper one looks like a parody of Lautrec's style. I have to remind myself that Lautrec was also a pen and ink cartoonist.



Sem (above) in turn was influenced by Cham. Who as Cham? Well, that's his work below. I'm guessing he was influenced by Daumier and Gilray. 


Haw! Good old Cham!


I planned on writing a post about Sem and Cham but got distracted by all the period cartoons I was discovering while doing the research. I especially liked the ones dealing with dance (above and below). 

Oh, to have been a fly on the wall in that era!


If you can believe the artists,  the crowded dance halls of that time could get pretty rowdy. The dance styles were increasingly flamboyant and insults, punches, bites, even riots would occasionally break out.  

The funny thing is that before all those wild gyrations could take place, the dancers were still expected to engage in a caricature of upper class gentility. You had to demonstrate your refinement before hopping around like a kangaroo. 


 Those early French caricaturists were fearless. They even dared to make fun of ordinary workers, something that must have appalled doctrinaire communards and socialists.


Maybe Van Gogh would have gotten a better reception from the peasants he lived with if he'd done some funny pictures of them first.