Left to right (above): Kali, Katie and Marlo.
Country singers Kali and Katie (above).
Swiped from Kali's blog, Katie's amazingly accurate caricature of Kali.
Hot off the presses, here it is! It appears to be a whole book of anecdotes about Wood by the people who loved him and worked with him over the years. This may be the ultimate book on Wood! I'll let you know when I've had a chance to read it! Thanks Milt! It's a great present!
I think I'll pay a visit to 15150 Parthenia in Van Nuys. I wonder if the apartment house is still standing?
Voila! Caricatures (above) of Marlo, Kali and Katie, who also drew these! Click to enlarge! They still won't be as big as they should be but this is the best I could do with the bandwidth I have. I'll put up more soon!
Marlo and Katie here (above) (dress designers note...this is the proper height for all dresses in the front)! How does Katie manage to distill so much happiness in a drawing? You could say these are philosophical drawings because they depict a world devoid of stress and conflict. That's the artist's job, to show the rest of us a vision of what the world could could be, to give us something to shoot for.
Here's Kali looking infinitely sunny and eager. Notice the great leg and topknot theories! Katie made an interesting choice here. Everytime I've seen Kali she's been upbeat and enthusiastic but, being human she must have the whole range of positive and negative emotions that the rest of us do and Katiie must have seen that negative side at some time or other. Katie wisely chose a single emotion to represent Kali. She chose happiness. She didn't choose it because it's a convention of caricaturists , but because it represented a side of Kali that appealed to Katie's own idealism, to her own vision of a better world...at least that's what I think happened.
Here they are, the pictures of the famous opera "Die Flabberpuss" staged at John's Halloween party. Photos courtesy of renowned stage photographer Marlo Meekins.
Here (above) the young shepherd boy discovers a beautiful forest nymph (Marlo) asleep on the branch of a tree. The lad feels something peculiar stirring within him but he's on a quest and must not dilly-dally.
Here (above) the idealistic young shepherd boy encounters Katilda (Katie), the beautiful siren of the forest. She entices him to sup with her in her cave beneath a gnarly, mist-enshrouded tree. Once again the lad feels peculiar longings but he remembers his quest and bolts into the woods.
Running through the dense forest the boy hears screams behind him. Curious, he climbs a tree and sees Fabberpuss (above), the towering, mushroom-covered, evil, girl-eating troll menacing three quivering fairies (Kali, Katie, and Marlo). Well, there's no time to tell the whole story. Maybe I'll continue this later. Thanks Marlo for letting me swipe these photos from your blog!
These pictures are all from the coffee table book called "Chicken Little" by Monique Peterson. I feel sorry for Peterson because she had the thankless job of trying to put a positive spin on what appears to be a story of endless woe in the making of that recent film. I never worked on a 3-D film so I can only guess what it's like. If the book is right it couldn't be much fun. The programs are clunky and unresponsive and seldom do what the animators want them to do.
Maybe the strong suit of the 3-D programs is backgrounds and props but even there the results are mixed. The car (below) looks great but the theater (above) looks somewhat cold like something made out of a Leggo set. I can't imagine the cottage of the Seven Dwarves having any emotional impact in this style.
Everybody knows that computers are the future of animation but that future isn't here yet. Right now 3-D animation programs confine us to a style of literal, unimaginative drawing that dates back to 1910. Even the stories animation tells have to be crippled to fit the limits of the medium. How can that be considered an advance?
BTW, I just got Amid Amidi's book, "Cartoon Modern" and it looks great! I'll do a blog about it when I have a chance to read it!
These days men's fashion really sucks. How did that come about? Everything is shapeless and looks like it came from a one-size-fits-all store. I don' t mind skateboarders' fashions because they're funny. You have to admit that wearing parachute-size pants almost below the buttocks is hilarious. No, what I object to is the urban gangsta look. Gangsters should look debonair and swashbuckling. I can't imagine Bogart taking any of these guys into his gang.
caps that cover the ears, even in the summertime? Well, at least they're flamboyant and that's something. What I really don't understand is the middle class suburban variant exemplified by Chicken Little's clothes. What's with the tight green Arnold-Palmer T and the shapeless, oversized shorts? Click to enlarge it; the shorts look like the bird has a load in his pants. What man who wants to attract women would dress like he was wearing a diaper?
I've always wanted a set of muscles like the ones on the Doc Savage covers. That and a whole closet of torn t-shirts. The problem is that working out is boring, or at least it seems that way to someone who doesn't do it. There must be another way...
And this is it! It's a little elaborate, maybe a tad expensive, but this guy is on the right track I think. A suggestion: loose the padded pants. They detract from the realism. That top combined with natural, skinny legs would be a killer combination!
Every year I hope the Halloween costume industry will put out a good set of fake muscles but they never do. Look at the tacky shirt this kid (above) is wearing. The muscles look like curdled milk. Oh well, maybe next year.
I love these two masks of womens' faces. They're both funny, vivd and full of energy. I especially like the bukram mask of the girl with black eyebrows. Bukram is a great medium. It allows for mass production but it retains the feel of a customized piece of folk art. There's a web site that has detailed instructions on how to make bukram masks. I may take a stab at it sometime. The monochrome mask with the big teeth is kind of ugly but I offer it here because a frontal view on an upshot face is an interesting juxtaposition. The cardboard witch and the Opper-style cartoon characters are
nifty examples
of good design that's made to sell for pennies. The witch looks like it was influenced by Nabi theories.
Bosom is a Victorian word that you don't hear too often nowadays. It denotes breasts which are not just big but are...expansive. Do Dolly Parton and Jane Mansfield have bosoms? Yes, I think so but I can't say for sure without examining them. A real bosom requires a certain amount of chest area above the boobs. I'm not a bosom fetishist, mind you, I like all kinds of breasts, but
like all men I follow any news about this area with keen interest.

Here's (above) a technique I haven't seen before. The pumpkin is stripped of all it's skin and the pulp is sculpted by itself. When it's lit with a candle the face is eerie and luminous.





I like secular people...most of my friends are secular...but this post is a criticism of an extreme of secularism, something that historian Niall Ferguson calls vacuous secularism. The vacuous variety believes that religion (Christianity in the case of the West) never accomplished anything of value and was never anything but an obstacle to progress. That's just silly.
Here's some interesting ones. I thought you might like the horn with a picture of a witch who looks like a Jewish dad. Then there's the scarey moon that looks like it might be named Fred. Somewhere in this jumble there's also a cereal box from the 40s with a witch cut-out on the back.
" like the picture does. I've seen that spelling before. Does anyone know anything about this?

