JOHN K WINS ASIFA AWARD!

It was announced yesterday! ASIFA's 2008 Winsor McCay Award for career achievement goes to John Kricfaluci! I can't think of a better choice! Hearty congratulations, John!

I'm just stating the obvious when I say that John's contribution to the industry has been immense. He and Ralph re-invigorated a dying animation industry with "New Adventures of Mighty Mouse " which, together with Disney's "Roger Rabbit, " brought on the 90s animation boom. His "Ren & Stimpy" was ground-breaking in every way, and is still massively influential, even today. Flash animation was just a way to do banner-ads before he got hold of it, and his blog is a stunning teaching tool and oasis of thoughtful cartoon analysis. If I were to discuss his drawing innovations this post would require a couple of hours to read. The man's amazing, what can I say?

The award ceremony is on February 8, 2008. For tickets and information :

http://www.annieawards.org

WHAT THE CENTER OF OUR GALAXY LOOKS LIKE

Here's (above) a picture of a near-by galaxy that's believed to look like our own. Pretty isn't it? When I was a kid they told us that no one could see the center of our own galaxy, that whatever was there was a mystery. Now all that's changed. Now we know that a monster black hole lies at the center, and we even have pictures of the area surrounding it.

And here (above) it is, the center of the galaxy. The space you see isn't very wide, there's just a lot of stars packed into it. These stars are highly energetic. They're born, live and die in an amazingly short time. They're constantly colliding and eating each other up.

If you want to see the very, very center then here (above) it is, where the arrows are pointing on the picture on the right. The stars closest to the center of the picture are erratically orbiting the black hole at a velocity of three million miles an hour. The size of the hole? It contains two million solar mases and it's the size of a grain of dust!

Here's (below) a link to an animated film showing the path of the stars closest to the hole:

http://images.google.com/imgres?imgurl=http://www.mpe.mpg.de/www_ir/GC/images/gck.jpg&imgrefurl=http://www.jmcolberg.com/weblog/science/&h=461&w=461&sz=76&hl=en&start=27&tbnid=N5o9gxE8L-g1zM:&tbnh=128&tbnw=128&prev=/images%3Fq%3Dcenter%2Bof%2Bthe%2Bgalaxy%26start%3D20%26gbv%3D2%26ndsp%3D20%26svnum%3D10%26hl%3Den%26sa%3DN%26ie%3DUTF-8

Here's (above) the center of the Andromeda galaxy where a black hole is in evidence which is even more powerful than our own. I know what you're thinking it looks like.

WHAT HAPPENED AT LUNCH TODAY

A good day so far, I figured.


I was on my way from the parking lot to the restaurant when I realized that an old lady with a walker was also hobbling toward the door from a different direction. She looked kind of frail so I speeded up a little, thinking I'd hold the door open for her. Big mistake!


When she saw me speeding up she figured I was trying to beat her to the door so I could get a better place in line... so she hobbled faster. I saw her hobbling faster so I walked faster. She saw me walk faster so she began to run, taking what for her were giant strides with the walker. I saw her running so I ran even faster. She saw me running and really tore for the door. Neck and neck, we both almost dived for the door. I don't mean to brag but I got there a full second or two before her, and I gallantly (I thought) opened the door for her.


No thanks were offered but a good deed is its own reward.

ANOTHER "MY DINNER WITH ANDRE" (ACTUALLY JOHN K)

Today we met again at "The Bear Pit," a local sawdust-on-the-floor barbecue restaurant with Preston Blair - style paintings all around the walls. When I came in John was reading The National Enquirer, which is essential reading for cartoonists since it contains all the necessary info about what stars have cellulite. Orders were placed and the conversation commenced.

We began with a fascinating discussion of Scribner but that'll require a lot of pictures to explain, so I'll save it for last.

After Scribner we talked for a bit about how old I look in those photo essay pictures I took. Maybe anticipating an outpouring of self-pity, John kindly said I didn't look that old in real life, but really, that wasn't necessary. I explained that I'd reached an advanced philosophical level where I was beyond worldly concerns like screamingly grotesque wrinkles. People at my elevated level laugh at people who worry about things like that. "Ha!", we say, "Ha!"

Then we talked for a while about what tragic creatures men are. Poor men spend their whole lives chasing after sex and get only a fraction of what they need. John said that's why men have to go to war, because somebody has to be made to pay for our frustration at not being able to have a harem.

Talking about sex brought us around to Tex Avery, maybe the most heterosexual director of the color cartoon era. We both agreed that after Clampett, Tex was the greatest cartoon director. Jones ranks third, which is still a very high position.

Jones was all about telling linear stories in a humorous, well-executed and professional manner. Clampett was a creature of the big band and jitterbug era, and also of the golden age of radio and live-action film comedy. He swam in media. He had street smarts, charisma and almost unfailing intuition. In John's words, he made cartoons an "experience."

Somehow (?) this digressed into a discussion of Tim Russert (spelled right?), the TV news commentator. Russert used to be a rock & roll promoter and he still looks like someone who could tell a good dirty joke. You have to admire the guy for his ability to re-invent himself as a news commentator. Here's (above) a napkin drawing John did of him. I like the Thurber arms and serious expression.

Here's (above) what we talked about most of the time. John's been telling me that the new Warner set contains a break-through print of Clampett's "Eatin' on the Cuff." He said the amazing clarity of the print allows us to see never-before-seen (by this generation) nuances in the cartooning and animation, and that this necessitates a re-evaluation of the film as one of Clampett's best. He makes the case in a wonderful post that's on his site now:

http://www.johnkstuff.blogspot.com/

I'd already read the blog and I had to admit that John was right. Take a look at these Scribner drawings. The happy energy, the love of cartooning, the inventive poses, the beautiful proportions and attention to detail are awe-inspiring! I love the wrinkled sleeves...who said you can't animate wrinkled clothing? The black and white values are handled so well that you don't even miss the color.

Notice that the girl looks feminine and funny at the same time. Scribner was able to do both! After seeing this it's going to be hard to go back to seeing cartoon girls that are only one or the other.

Here the Veronica Lake spider shows off her glorious schnoz. Note the big hands and big eyes. My favorite cartoon characters usually have big hands and eyes. That's what you make expressions with. In my world only secondary characters have small hands and small eyes.

Here's (above) a wonderful example of Scribner cartooning. It's just a back shot, yet it leaves me breathless! The hair and large lower body are hilarious and the size and orientation of the legs are inspired!


You can say that real girls don't look like that, but are you sure? I see girls (above) who are a bit like that all the time.

Anyway, I digress. We talked endlessly about Scribner and spent some time trying to figure out why Clampett, who was very prolific in his black and white period, turned out fewer cartoons a year in his color period. Maybe he was busy developing his own projects on the side, maybe good work requires more time. We could only guess.

Anyway, the conversation eventually ran out of gas and we found ourselves out in the blinding sunlight of the parking lot, ready to face another day!

SO LONG THAT I HAD TO DO IT IN TWO POSTS

Continued below.........

ALL SOUPS ARE NOT EQUAL (PART 2)

DRAWING LESSONS FROM MY DAUGHTER

"PORTRAITS" by Dad's Daughter


1) When drawing a man (like my Dad, above) always start with the stubble. Take time to get it right because it's the most important part of the face.

After that, draw what you see in a band that goes either across the face or up and down. Whatever's not in that band gets the short shrift. In the example above the band is horizontal and includes the ear and the nose. The mouth and eyes are outside the band and therefore are drawn tiny, as an afterthought.




2) Above the mouth the head bends. Paws make great hands.

3) Eyes are over-rated and are seldom worth drawing large. Now the ear and nose, THOSE are the true mirrors of the soul! Adults have HUGE noses! Glasses are also over-rated. Draw them tiny and floating Chagall-like in the air.

4) Adults are grotesque! Shapes bulge out of the face like ginger roots on steroids. On a face like my Dad's it's best to draw each section of the ginger root independently, without thinking of how it fits into the rest.

Pay attention to the muzzle and how the stubble wraps around it.

5) Sometimes it's fun to experiment with pie-plate head shapes. After all, the on-lookers are way too busy looking at the beautiful stubble you've drawn to know if the head-shape is working. Be sure to put lots of tiny blood vessels in the nose and don't skimp on the ear hair!

Note from Dad: I actually wrote this but the ideas are my kid's.