A POEM CELEBRATING SHOPSIN'S RESTAURANT

I just watched a terrific Netflix documentary called "I Like Killing Flies" about Shopsin's, a hole-in-the-wall Greenwich Village restaurant that's run by an eccentric cook who's famous for kicking people out when they don't obey "The Rules."

What are The Rules? Only the owner knows, he and a few regulars. One of those rules is the subject of this post: The Party of Five Rule. A New York poet named Robert Hershon wrote a poem about this rule, and it's a falling down classic. I'm going to  memorize it. See what you think....

PARTY OF FIVE
by ROBERT HERSHON

you could put a chair at the end

or push the tables together

but don't bother

This banged-up little restaurant

where you would expect no rules at all

has a firm policy against seating

parties of five

And you know who you are

a party of five

it doesn't matter if one of you

offers to leave or if

you say you could split into

a party of three and a party of two

or if the five of you come back tomorrow

in Richard Nixon masks and try to pretend

that you don't know each other

it won't work: You're a party of five

even if you're a beloved regular

Even if the place is empty

Even if you bring logic to bear

Even if you're a tackle for the Chicago Bears

it won't work

You're a party of five

You will always be a party of five

A hundred blocks from here

a hundred years from now

you will still be a party of five

and you will never savor the soup

or compare the coffee or

hear the wisdom of the cook

and the wit of the waitress or

get to hum the old-time tunes

[among which you will find

no quintets.]

P.S.: Shopsin's recently moved to fancier digs, and that's what you see in the picture above. Long time Shopsin's fans might prefer the older greasy spoon location, which was unbelievably grimy and filthy. Good food, though.

CARTOON CHARACTERS SHOULD DRESS FUNNY!

I wish cartoonists would pay more attention to what people wear. Clothes are funny (above), though you'd never know it by looking at modern animation and newspaper strips. 

A hundred years ago main characters were drawn like clowns with outrageous clothes. I admit that's going too far, but I prefer that to the bland clothes cartoon characters wear today. 

The way I see it, characters should always dress to fit their occupation or physical type. Rich people should look rich, poor people should look poor. Texans should look like cowboys, fat people should look like opera singers, and skinny people should look like scarecrows. 

Cartoon characters should live in homes that reflect their professions. They should speak and act the way people in their profession speak and act. Everybody should be visibly attached to a profession, even if that profession is loafer.

Cartoonists should exaggerate. Slightly rich people (above) should look and act very rich.  Sneaky people should dress like professional sneaks, and not simply act that way while dressing normally. 

Unfortunately we live in an era whose fashion is dominated by geniuses like Calvin Klein.  Klein set himself to the task of making the common man look as elegant as the rich, and he pretty much succeeded. Now every working person looks good, but nobody looks funny anymore.

Er...well, maybe some people do. Thank God for emos, skaters and hip hoppers. 

SORRY FOR THE DELAY........

FORGIVE ME!!!!! I haven't been able to post because my kid is visiting and my computer is in the room he's using. He's a sports guy and my computer table is full of athletic gear, smelly socks, hair gel, underwear, crumbs and the like. Having him here is delightful, but he sure does fill a room. I'll be back Wednesday, if not before.

MORE ABOUT WALLY WOOD'S ARCHITECTURE

Let's take a closer look at the Wally Wood architecture that I posted a few days ago. There was a lot going on there and one post wasn't enough to cover it.

Well, to begin with, we all know Wood is fond of tight spaces. He uses perspective cheats to make them appear more spacious, and that's a great technique. His spaces are simultaneously wide and cramped. There's no reason why real architecture can't do this. 

Wood intuitively knows that tight spaces and varying levels (above) are sheltering and nurturing. We naturally seek safety in places like that.  A house full of gullies and alcoves and ledges and interesting reveals fits the kind of creature we are.

Of course a home consisting of nothing but tight spaces would be claustrophobic. I like the way Wood opens up the space in front of the entrance. Immediately upon entering the house (or is it an apartment?) you're confronted with a choice: whether to walk down into the living room or up onto the second floor. From the vantage point of the door both choices are visible and enticing.

I know what you're thinking...that some modern architecture (sample above) already does all that...but does it?  The examples I've seen are usually botched, like the bed above. Granted, it sits on a level or a ledge of sorts but it's lost in a gigantic, impersonal space. None of Wood's sheltering here.

For contrast, observe how Wood handles his levels (above). The levels resemble solid blocks. They seem to protect the girl sleeping in the single bed at the bottom of the stairs. I'm guessing that's a guest bed, which is also useful for reading and lounging in the middle of the day. Spacious closets could be hidden in the blocks. There's actually a lot of potential closet space here.

The sleeping hipster on the top level sacks out on the comfortable wall-to-wall carpet that covers the floors, stairs and walls. Currently wall carpets are dust traps, and are probably unhealthy, but the day can't be far off when the right material will make them practical.

Most modern architects are too fond of empty space (above). Wood seldom made that mistake.

Here's a large space that almost works. It would work a lot better with a low, nurturing, Wally Wood ceiling that would emphasize the wideness of the room.

Sigh! There's more to say on this subject, but it'll have to wait til after Christmas. I've got presents to wrap!

Let me lay on you........

SOME GREAT CHRISTMAS MUSIC

Yeah, I know...these are the songs I put up every year at this time, and Mahalia Jackson's "O Holy Night" always tops the list. So shoot me...I love this stuff.











This (above) is done by the St. Thomas Children's Choir. Is that the same Church that we associate with Bach?




'Not the best version (above), I admit, but it's interesting to hear this piece sung more simply than it usually is. The title says the singer is Pavarotti, but is this really him?







My kids loved this Chipmunk song (above), and they played it over and over and over. It drove my wife nuts. One year she deliberately "lost" it, and the tearful kids made me go out into the freezing night to find another copy.



I just watched this (above) and it was buried under a clutter of annoying advertising. Sigh! What can we do? They've got us over a barrel. The video is too good to miss!

WALLY WOOD'S HIPSTER CHRISTMAS

Wally Wood worked on a hipster version of "The Night Before Christmas." I don't have the poem at hand, but I have these three illustrations (above and below) to remind us of what a knack Wood had for modernism.

Wood would have made a terrific architect. That fireplace (above) is beautiful, and the tree that spans two floors is pretty neat. I love the brickwork in the foreground and the idea of a mat-framed print to set it off. I love how the whole place is on levels. What do you think of the cheetah skin beret on the guy on the lower right?

Here (above) are beatnik children all snug in their beds while visions of Abstract Expressionism dance in their heads. Being the kids of cool parents they naturally wear headphones and dark glasses to bed, and have little goatees.

Boy, even Santa's reindeer are hip!

That's all I had to say about Wood. How about a few non-Wood pictures to round the post out?

What do you think of this photo (above) from the Christmas sequence of "Meet Me in St. Louis?" I get sentimental when I see pictures like this. Imagine how great Christmas would be if you had this many kids...okay maybe half this number, say...five or six. I had two and it definitely wasn't enough.

Bored Santas (above) are a whole genre of photography.

So are kids recoiling in horror from Santa.

Above, a good card to send a tall friend.

Can't afford a Christmas tree?

Surprisingly, some modern-day hipsters (above) are pretty good purveyors of the Christmas spirit. I guess they have a flair for design and this is a holiday that rewards that. Come to think of it, Halloween is a haven for designers too.  The entire Fall and early Winter is a playground for artsy people like us.

Thinking about that reminds me of why I like Christmas so much. It's a time of the year that's steeped in profound tradition and sentiment, and it's simultaneously a fun celebration that's always trying to re-invent itself.

SNAPSHOT FROM THE FUTURE

Sorry for the hasty Photoshopping! I'm swamped with things to do that relate to Christmas and my family! I'll stay on schedule though, even if I have to be a bit sloppy to do it.