H. J. WARD: ILLUSTRATOR

H. J. Ward was incredible, wasn't he? I thought it might be fun to take one of his pulp illustrations (above) and see how it was done, step by step. I'm not aware that those kind of pictures exist, but maybe we can get the same kind of effect (sort of) with Photoshop filters.  Let's try it!

Wow! A "squint" (daub) filter really helps to simplify things.  It's possible that when Ward laid in his first colors, the canvas looked something like this (above). Without distracting details it's easy to see that the picture is mostly red, yellow, blue and orange, the classic newsstand colors. There's some green and brown in the part of the picture we can't see.

Hmmmm. I see a mushy "X" pattern, with a creamy flesh-yellow on one diagonal, and an orange on the other. I also see a large triangle consisting of three dark points. The triangle might have carried our eye out of the picture if the point on the lower left hadn't been so small.

Sharpening the squint a little (above) gives us our first shadow colors. Maybe this is how Ward handled it. He laid in basic color fields first, then started to add shadows for volume and modelling.

Maybe next he spotted his darks (above).  The filter reveals spatters of dark all over, but not on the girl's abdomen or stomach, and not on the cowboy's orange shirt. The middle and top of the picture form a cascading wedge of light.

Notice too, how the villain cowboy's hat touches the blond hair of the hero in the foreground. Ward probably had a fit wondering if he should let them be or disconnect them. When you see the finished painting it doesn't seem to matter.

Here's (how) how he spots his lights...sort of. The balance is distorted because I used an infra-red filter. I love the way the white of the hills cascades down across the girl's stomach, and further down her arm.

There's a new book on Ward that looks pretty good. I ordered it, but it hasn't arrived yet. He's one of the all-time best illustrators. After WWI, illustration and cartooning partly displaced fine art, then later on photography partly displaced illustration and cartooning. Where does it stand now? I'm not sure.