Thursday, March 10, 2011
ABOUT SLUMPS
This is about a painful subject...artistic slumps. Of course artists aren't the only people who have slumps. Baseball people (above) get them all the time. The TV camera goes in tight on the players and you see looks of fear that are positively chilling. The players can't hide what amounts to a dread of the supernatural. They wonder if this is the day that a slump will drift in like a dark cloud and cling to them, maybe forever. It's scary. I know how they feel because I'm experiencing an artistic slump right now, and its driving me nuts.
I have a guess about what causes slumps, but it's only a guess. It has to do with relying too much on intuition.
You spend the first part of your career learning things and applying them. You imitate your heroes and by comparing your work to theirs you have a pretty good way of gauging your progress. You have slumps in this period, but they never last long. Generally your progress graphs up and up.
The problem comes when you decide to turbo charge that progress and move to a more intuitive mode. This is especially true if you feel you have it in you to be a stylist. In that case you'll find yourself spending more and more of your time listening to your internal voices. Learning more rules takes second place. At this stage you're keen to hone your intuition...you're trying to get into what sports people call a "zone."
This is a fascinating process. Most people do their best work at this stage. It's a time when the rules are still fresh in your mind, but you're on a path of self-discovery and uniqueness and each day seems to take you farther down the road. You begin to customize the assignments you get. You skewer them to the direction you feel you need to go in order to grow, and your work improves dramatically (it helps to have a sympathetic employer when you're doing this).
The problem with handling things intuitively, is that you become more vulnerable to slumps. Using intuition rather than rules means that you're vulnerable to every mood swing and impulse that takes hold of your brain. You do your best work in this mode, but the frightening possibility exists that you may also do your worst.
Geez, there's a lot more to say on this subject, and I've already reached my word limit. I don't really know how to end an existing slump, but I have some thoughts about how they might be avoided. I'll pick this up again later on.
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17 comments:
I think I've been in a slump once.
I think slumps are just hurdles to leave the competition behind. Time to be inspired and take a quick break and attack it again refreshed. Here is a great bit to jog the creative juices. "how many things can you do with one prop?"
http://www.youtube.com/watch?v=wwWDa1xPTPA&feature=player_embedded#at=46
Man, Eddie, this has got to be one of your best "strike a chord" posts ever, and it's extremely relevant to a me personally, since you know that I am also cartoonist myself, though you know that I haven't broken out into the industry yet. Seems like throughout life, we, as artists, go through these kinds of ups and downs as we're learning how to draw and think creatively, resulting in periods where we tend to produce good work, and work that isn't so good, to put it politely. I'm not an adult yet, but this is what I have observed in myself as I have grown up, since I have been drawing cartoons literally since I was old enough to hold a pencil (Tex Avery and his brilliant Northwest Hounded Police cartoon would have a profound influence on me and my cartoons, ever since I watched it as a young six year old). Personally, I also feel like I'm already going through a "zone" because more than ever, I'm able to literally draw whatever pops into my head right on the paper, even though it doesn't come out perfect each time. I still know that I have a lot to learn, but it is sure an exciting journey.
Although lately, I've been really annoyed by certain artists at my school who just like to copy anime cliches. It personally scares me how all these people tend to draw the exact same generic anime wannabe drawings. It also worries me how these people are going to develop themselves artistically in the future. What's your take on this? Just seeing them draw like that bothers me, and strangely motivates me to work even harder so my own work won't become a bad misunderstanding of a prexisting "cool" animation style.
Wow, great post. I've never entered a slump myself but I'm still young yet. Fascinating read as always!
nice post w/ the Casey images.
I'm sorry to hear that, Eddie. I deal with day-to-day slumps by drawing things that don't matter: crappy doodles without design or construction. Maybe I'll try to make my girlfriend laugh with them. If I draw something good enough I'll put it on the net, and the feedback I get makes me feel better.
I could suggest you try drawing silly gag cartoons, but I know from experience that as soon as you try to commit yourself to something, the slump kicks in and you loose all confidence. Whatever de-slumps you, it has to originate spontaneously from your own brain. Perhaps the key to defeating slumps is learning what inspires you. Whatever fills you with warm fuzzies. Drawing strength from your friends helps, too.
At the end of the day, though, the only way I can overcome my own dips in confidence is to stick to a project, regardless of how bad I feel. If any horrible feelings start to well up, just spit and curse at them!
Crapola! That last comment by "Cassandra" was actually by me! It'd be nice if blogger showed which user was logged in, before I go leaving long-winded comments about believing in yourself and the power of friendship and blah, blah, blah.
I've got more than an artistic slump right now. Really, you name a slump and I'm in it.
The best way to get out of any slump is to keep trying. If you give up, you'll just wallow in your own despair.
One time I was in a terrible slump. Everything I thought I knew was wrong, and couldn't get projects off the ground. I decided to give up on what I thought I knew and reach out into the ether, damn the torpedoes. I'd sit in my studio with a pad and if my hand said go to the center of the page, I made it go to the top left. If it wanted to draw a cirle I'd make a lightning-slash. During this phase I was completely untethered; could even speak. Then it was time to make a puppet again just "because". I applied the same "this ain't my thought process" approach, and when I finished the puppet a potential client called, came over, said 'I WANT THAT' and we got a great booking. That artistic breakthrough carries me to this day. Sometimes what it takes is a new exciting project. Keep the Eddie, Faith! (The puppet I was referring to is the orange-faced guy here http://flexitoon.blogspot.com/2009/05/rant-and-roll.html)
Eddie -- great post! As you mentioned, the human brain gets into different moods, or zones, and some are conducive to intuition and inspiration while others are not. When I'm in a slump I do one (or both) of two things: Either I just fall back on my storehouse of knowledge and just do a very workmanlike job, which will be fully professional, or I look at some great cartoons by other people, which usually inspires me enough to restart my creative mind. Sometimes, while in an uninspired mood, it helps to just work out the mechanical problems of a cartoon scene, because that takes a lot of time anyway, and then the mind is freed up to indulge in flights of fancy, at which point one can "plus" all the stuff that's already been worked out.
Herman: Thanks for the link. Winters was amazing!
Roberto: I'm a fan of comedy and acted animation, which anime sucks at. I do like the dynamism, imagination and heroism in the best anime stories, but I don't think of them as animation. They're more like manga that move.
In my fantasies pencil tests are a popular animation medium. They can be done fairly quickly, they favor animated acting, and can be done by amateurs as well as professionals.
I wish animatics were a popular amateur art form. Toon Boom is supposed to be good for shooting and assembling pencil test clips into a coherent story with soundtrack. It would help if that program would come out with an easy-to-use, affordable "elements" version. Maybe the latest version of Digicel Flipbook does that.
Craig: Haw! Hey. it's just my opinion, but it seems to me that the puppet might show to better advantage if you figured out a short story that would allow for more cuts between him and the rabbit.
Eddie: Your wish is my command:
www.flexitoonpuppettheatre.com
(watch BEG, BORROW OR STEAL)
Hey Eddie, i've now subscribed to your blog! Speaking of blogs, i've recently started my own blog, and i just made a new post on it, complete with a cool model sheet of Felix the Cat! Give it a look, and please leave a comment while you're at it! I'll appreciate it!
http://classiccartoonreviews.blogspot.com/
The best thing to do when one gets in a drawing slump is to just draw a bunch of crappy drawings. Don't judge them or anything, just have fun not following the rules and not expecting great art. It's very liberating and before you know it you like your drawings again!
Then post them on your blog for us to enjoy!
I see! So that's why whenever I get a slump, I can still draw, but not be able to create new things. My slump comes in a form of doing a formulaic approach to drawing, rather than not actually being able to draw.
That's why during a slump I tend to do more Preston Blair studies(though not very good)to gain more knowledge. Since my brain is not in a mood to interpret, nothing gets in the way of seeing things as they are, I suppose, hehe.
Many thanks for the explanation good sir!
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