BERYL COOK

I don't know what I think about Beryl Cook. She had talent and an interesting point of view, but her subject was post middle-aged British housewives, the kind that Monty Python used to make fun of, and I don't know if I'm ready for that.

Cook's women are a bundle of contradictions. On the one hand they're kind of uneducated and unexciting, and on the other hand they're immensely good-hearted and somehow imbued with the character that's been the spine of British culture for centuries.

Her earlier period is my favorite. Cook painted traditional women who are colliding with modern times.

No matter how many new ways they adapt there always seem to be more that they're expected to catch up to.

Cook managed to capture the kind of cozy, sentimental life that lots of older Britains have evolved.

Her housewives always have lots of friends. Nobody in her pictures suffers from loneliness.

Haw! She's famous for her "Ladies Night Out" pictures.

Cook is sometimes compared to Donald McGill (that's his work, above), the prolific creator of British seaside postcards in the 40s. About McGill, George Orwell wrote (click to enlarge):

There are obvious differences between Cook and McGill but there are similarities, too. Both had an obvious affection for their subjects and both saw themselves as popular entertainers in the music hall tradition.

BTW: I like what Orwell said about Shakespeare injecting that kind of music hall comedy into tragedies. It's a combination that works.

For comparison, here's how two other painters handled themes a bit similar to the ones that Cook tackled.  The first (above) is by a contemporary Australian painter and is called, appropriately, "Ladies Night Out."  Sorry, I don't know the artist's name.

The painter's very skilled but he's not as cartoony as Cook, and cartoons are a more efficient way of handling themes like this.

The second is by Cecil Bell, one of my favorite New York City painters. If Cook had handled a similar theme, with women on board a ferry on a windy day, she would surely have had one of the women face the wind like this (below).

That's because Cook was a cartoonist at heart. She wouldn't have been able to help herself.

MORE ABOUT COMIC POST CARDS

Gee, I miss the vacation post cards (above) that were all over the Jersey boardwalks when I was a kid.

The cards (above) were nice and cartoony, and had a linen veneer that took color really well. They were probably printed in offset but some were so bright and saturated that I wouldn't rule out lithography.

Lots of the cards were risque but they avoided censorship somehow.

Maybe that's because the captions always were always couched in double meanings. Strangely, parents (at least American parents) rarely objected to their kids buying them. Maybe they figured that we wouldn't understand the sex references and, by and large...we didn't. We just bought them for the cartoons.

By the way, the picture above is by Donald McGill, the prolific British post card humorist, and the subject of a well-known essay by George Orwell: "The Art of Donald McGill." McGill came out of the bawdy British Music Hall tradition, the same as Benny Hill.

The Orwell essay:  http://orwell.ru/library/reviews/McGill/english/e_mcgill



For those who aren't familiar with Benny Hill, I offer the brief video above.

Anyway, even today I don't always get the jokes on those old cards. I think I understand the joke above, but I'm not sure.

Boy, some good cartoonists worked in that field (above). Here's a British ad for beer that's done in the vacation card style.

Here's (above) a later vacation card, probably done at the time they were being phased out. Are my eyes deceiving me, or is that drawn by Will Elder?