BERYL COOK

I don't know what I think about Beryl Cook. She had talent and an interesting point of view, but her subject was post middle-aged British housewives, the kind that Monty Python used to make fun of, and I don't know if I'm ready for that.

Cook's women are a bundle of contradictions. On the one hand they're kind of uneducated and unexciting, and on the other hand they're immensely good-hearted and somehow imbued with the character that's been the spine of British culture for centuries.

Her earlier period is my favorite. Cook painted traditional women who are colliding with modern times.

No matter how many new ways they adapt there always seem to be more that they're expected to catch up to.

Cook managed to capture the kind of cozy, sentimental life that lots of older Britains have evolved.

Her housewives always have lots of friends. Nobody in her pictures suffers from loneliness.

Haw! She's famous for her "Ladies Night Out" pictures.

Cook is sometimes compared to Donald McGill (that's his work, above), the prolific creator of British seaside postcards in the 40s. About McGill, George Orwell wrote (click to enlarge):

There are obvious differences between Cook and McGill but there are similarities, too. Both had an obvious affection for their subjects and both saw themselves as popular entertainers in the music hall tradition.

BTW: I like what Orwell said about Shakespeare injecting that kind of music hall comedy into tragedies. It's a combination that works.

For comparison, here's how two other painters handled themes a bit similar to the ones that Cook tackled.  The first (above) is by a contemporary Australian painter and is called, appropriately, "Ladies Night Out."  Sorry, I don't know the artist's name.

The painter's very skilled but he's not as cartoony as Cook, and cartoons are a more efficient way of handling themes like this.

The second is by Cecil Bell, one of my favorite New York City painters. If Cook had handled a similar theme, with women on board a ferry on a windy day, she would surely have had one of the women face the wind like this (below).

That's because Cook was a cartoonist at heart. She wouldn't have been able to help herself.

MORE CECIL BELL

Here's more pictures by my favorite New York City painter, Cecil Bell. I like this woman in green (above). She's sexy, a woman whose whole life is absorbed by the task of appealing to men, but she's also an admirable person in her own way. Bell realizes the value of people like this and paints them.


How do you like the picture of the tug and the two chatting women? I could stare at it all day. Two normal, admirable women casually chat next to the technological marvel of the steel structure of the ferry. Behind is the wild, untamed force of the sea and a massive, smoking shape like a giant bullfrog slides past. You can almost smell the sweat, steel and woolen clothing in the ferry interior.



This really happened! It's a scene out of Bosch! A flaming ship out of control smashed through the docks and beached itself on the city street. The people on the roofs, the wild twisting flames, the water canons on the tugs and the wailing of the sirens create an indelible memory.