RALPH BAKSHI'S "LAST DAYS OF CONEY ISLAND"

This Sunday I paid a visit to Steve Worth's to see Bakshi's new film, "Last Days of Coney island." I knew the film would be good but I didn't know it would be THAT good.  It was gorgeous! Look at the way the painterly way the characters (above) are handled. Who else does that?  All the way through I kept saying to myself, "This is shocking! Absolutely shocking! I don't believe what I'm seeing!!!"

At the film's end it was clear that, at an age when most animators retire, Ralph had created an industry changing film. It's easily the best thing he's ever done.

The first thing you notice is the color.  Ralph did all of it himself. I've always liked Ralph's paintings...I knew he could  paint...but who knew that he could paint like this? He's raised the color bar for the entire industry. What was acceptable last year will get faint applause after people have seen this film.

By way of an example, check out this bar (above). It's red, like something out of a Nolde painting. Not only that but but the woman behind the bar is wearing a similar red, making the bar shape more complex and interesting. The background is green to make the bar pop out, and even the guy sitting at the bar is wearing a type of green. It's a case where red sits on top of green, and green sits on top of red. It's a nice contrast, and it fits the contrasty story, which is flamboyant and melancholy at the same time.

The film is full of exciting color, like this triad (above) of red, green and purple. The big studios are too timid to try things like this.

You can see the character color a little better here.

The second thing you notice is the cartooning. Everybody who's worked for Ralph has lamented that the public never sees his own sketches and animation, but only other artists' translations. Now we get to see Ralph raw and unfiltered and the experience is vastly entertaining. 'More about this in a minute.

The third thing you notice (and this'll be my final bullet point) is how cinematic the film is. Ralph's always had a knack for editing but here the film is uniquely wedded to what's happening with the color, cartooning and music. I'm not aware that his own paintings have ever been shown to greater advantage. It's "synergy." Ralph's a big believer in the power of combined arts to create something bigger and better than its parts.

 I said I'd return to the subject of Ralph's cartooning and animation. Some of his characters are drawn as if they were made for a pencil test. The characters are outlined carefully, but sometimes have internal lines everywhere, and it works spectacularly.

 The lines don't get in the way, rather they help to give the characters a texture, and color reads better on texture than on a flat ground.

The animation, that's done in Ralph's own style and it's beautiful!!!!! It's alternately smooth and deliberately jerky, and when it needs to be wild a Jimmy Tyre influence comes into play. It conforms neatly to the animator's code which is, "funny drawings that move in a funny way."

To sum it up, THIS FILM LOOKS LIKE IT WAS CREATED BY AN ARTIST! AN HONEST TO GOD ARTIST...and a CARTOONIST, NO LESS! Imagine that! What a rarity! Geez, there are some studios where cartoonists are shot on sight and their bodies fed to sharks. Many thanks to Ralph and the visionary supporters who financed this at Kickstarter!

BTW: The film costs 4 bucks through PayPal and is yours for a week. What a bargain! The link:

https://vimeo.com/ondeman/lastdaysofconeyisland

ECLECTIC DECORATING

I'll be moving to a part of the country that gets gloomy in the Winter and I want be sure the new house is cheerful and colorful. My plan is to compensate for the overcast by using a lot of interior white to bounce the available light around. I'll also go for an eclectic look that'll justify the use of bright color accents.

I like the room above a lot. If I can get something like that going I'll feel like I've accomplished something.

This room (above) has some interesting ideas. It's far from perfect, but it's white and colorful, succeeds in being challenging, and has a nice artsy feel.

 Hmmmm...a bit too girly and minimalist. I like some of the color, though, and the black Franklin Stove is a nice touch. I'll have to think about this.

I'm not a weaver or a fabric designer but I need an excuse to surround myself with the kind of color that you find in those trades.

My work area will probably be influenced by Julius Schulman's set up (above)...only with lots of color.

Some colorful Ralph Bakshi frame grabs on the bulletin board wouldn't hurt. Boy, Ralph has a good feel for color!  His "Last Days of Coney Island" film will debut on Vimeo at the end of the month.

RALPH BAKSHI SKETCHES

At the risk of stating the obvious, Ralph is one heck of a cartoonist! What do you think of the sketch above, particularly of the guy at the bottom? The beautiful lines, the humor, the philosophy and street experience embedded in the drawing...could Hockney or Warhol have done better?

I'm amazed that Ralph (above) was never offered a regular comic strip in the papers. Maybe he was and I just never heard about it.

If I'd been a newspaper editor I'd have offered Ralph a regular space of his own to do whatever he wanted to do. Ralph would have been great with continuing characters, but I'd have been equally happy if he'd decided to simply be a cartoonist observing the world around him the way Herriman (above) used to in the early 1900s. 

What were Ralph's formative influences? I wish I knew. I know he likes the old Percy Crosby strip "Skippy" (above). Skippy wore loose, oversize clothing and a funky hat, just like the characters in Ralph's doodles.

Crosby was incredibly creative with Skippy's jacket (above), the way it wrinkled and wrapped. Artists get off on things like that.

My guess is that George Lichty (above) was an influence...

...as was Billy De Beck's "Barney Google."

Ash Can artist Reginald Marsh (above) might have been an influence.

Ralph colors his sketches a little bit like Marsh colored his (above).

Crumb must have influenced Ralph. Crumb used Herriman style line technique from the early days of comics to depict what he was seeing on the street in the 60s. I'm guessing that the idea that you could use the old to depict the new was a real revelation to Ralph, who was himself a fan of early cartooning.

Do all these possible influences add up to Ralph? Nope, he's one of a kind. There's no mistaking a Ralph drawing for anyone else's.

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BTW: Thanks to Steve Worth for permission to photograph the "Coonskin" drawing at the top.

NEW PAINTINGS BY RALPH!

Ralph has a new show at the Animazing Gallery in New York and it's pretty impressive. The man can paint, no doubt about it. 

Some of the pictures seem to be representational, like this one (above) of New York City rooftops. How do you like the opalescent colors, and the weird, horizontal stick construction of everything? They lend a feeling of frenetic movement to what must have been a fairly placid scene in real life. It's true to New York, though. That city is all about explosive energy lying just below the surface.

Here's (above) a more abstract piece. The impression you get from a distance is of fluffy, cottony clouds tainted by gritty opalescence. Closer up it's decaying building materials with everything  moving, clinging, cascading, oozing, blocking, shooting, and scrunching. You expect this picture to jump out the window and run away down the street.

A couple of people said this picture (above) was their favorite. It's probably a stripped wall showing fiberglass insulation...or is it asbestos? I like to think of it more abstractly as turbulent, buttery, energetic essence of color seeping through the walls to consume our world. 

I like the Cezanne-like color and texture of the wall surrounding the door on the right.

Holy Cow! It's the world of the theater (above) abstracted. I love stuff like this. It's a celebration of show business, with it's artifice and it's blend of the silly and the profound.

BTW: Somebody asked me recently if the picture in Ralph's book (the book ably put together by Jon Gibson and Chris McDonnell) that looks like me, really is me. The answer is...yes, even though I thought differently when I first saw it. The reason I didn't recognize it right away is that it was taken on a live shoot for one of Ralph's films, and the hairdresser who did that to my hair didn't let me look at it for fear that I'd try to mess it up. 


For an interesting article about what Ralph is doing lately:

http://bombsite.com/issues/999/articles/3491