Sometimes I wonder if Gustaf Tenggren was indirectly responsible for Disneyland. His paintings of Geppeto's workshop were so appealing and so real that they must have created a desire in the viewer to walk into the shop and examine the toys close up.
This is Tenggren at the peak of his powers, when he was at his most inventive and charismatic. I wish you could buy reproductions of these toys at Disneyland.
For comparison here's (above and below) backgrounds from the same film by (I think) Claude Coats, who's no slouch himself. They're great but I wouldn't say they fill the viewer with a desire to walk into the painting and look around.
A painter as good as Coates (above) would normally dominate a project like this but Tenggren wipes the floor with him.
Who painted this one? The clock designs are specific and real like Tenggren's but are a tad generic like Coates'. Maybe the two artists collaborated. Notice the Horvath-type detail on the clock at the lower left. I'll return to this in a moment.
Here's the Geppeto's workshop from the ride at Disneyland. Some of the toys have a Tenggren influence and some seem disconcertingly generic.
The dolls seem oddly spaced at first glance, but the passenger car goes through this pretty quickly and you could argue that they wouldn't read if they were more densely packed. Even so....
I don't see many of the unique clocks that are in the film.
Apparently some earlier attempts were made at reproducing some of the clocks and toys in the film. Seeing this photo (above) makes me appreciate how difficult that job must have been. The sculptures contain some nice elements but don't capture the flamboyance of the original artwork.
There's that clock again (above). Why did the artist delete the Horvath-style bottom?
