ROMAN SCULPTURE

 I've been searching the net for cheap, good quality plaster replicas of a couple of my favorite sculptures. So far the results haven't been very encouraging but I'll persist. Near the top of my list would be a replica of the so-called "Brutus Bust," an Etruscan-style portrait of a Roman subject from the third century B.C. This is too early to have been a portrait of the Brutus who killed Caesar, but then...who was he?

The book I got this picture from describes this head as being that of "an obstinate peasant, marked by suffering but by no means bowed, and knowing how to bear his lot with dignity." Wow! I'd love to have a decent replica of this.

For comparison, here's (above) a bust of the Brutus who killed his friend Julius Caesar for what he believed was the good of Rome. There's competing depictions of that Brutus, but I trust the accuracy of this one because it was commissioned by his family who must have known what the real man looked like. It's an interesting face, no?

If you liked the black and white photo of the Brutus Bust, then you might be interested in this bronze (above) from the same period. It's from the Getty Villa outside of LA. It's so similar to the theme and technique of the other sculpture that I'm guessing it was executed by the same man. If I'm right, then that sculptor, who's name we don't know, was surely one of the best Roman artists ever to work in that medium.

EXPESSIONIST SCULPTURE (EXPANDED)

One of the best war memorials I've ever seen is a German Expressionist sculpture (above) by Ernst Barlach. It was executed in clay in 1927 to commemorate the dead of WWI, but the Nazis didn't like it and WWII intervened with the result that it wasn't cast in bronze until 1952. It's a pity that it's not better known. The horror of war may never have been depicted as accurately.

Thinking about Barlach made me curious to know more about the Expressionist sculptors.

So far as I know the first Expressionist sculptor was Rodin, a Frenchman. For Rodin nature was a starting point but it always had to be modified by human bias. You could argue that sculpture was always like that but Rodin added exploration and risk and performance. Even humor.

Rodin worked in clay, marble and bronze but lots of later German sculptors preferred wood. Maybe that's because their African influences worked in that medium. Maybe it's because wood was cheap and the artists were poor. One sculptor (Kirchner, above) said he liked wood because the process of carving and creation were visible on the finished piece for all to see. Conventional sculpture was worked in clay and handed off to others

for casting. Only in wood could you say that the final product was produced by a single mind.

Incidentally, I like the way Kirchner frequently photographed his sculptures (above) against painted patterns. 

For all its beauty there's something wild and almost unhinged about early German Expressionism, as if the artists who did it were crazy or under a lot of stress. It was an odd discipline because in its early stage it seemed incapable of expressing happiness or sentimentality.

I don't know of any other medium that deliberately excluded a whole range of human emotion. Even so, there are ideas and insights it would be difficult to express if that kind of art didn't exist.

In order to illustrate this point I had to use a painting rather than sculpture. That's because sculpture rarely succeeded in isolating the negative emotions as well as painting. The same might be said of early Expressionist architecture. The first examples were somber and horrific (above).

Later the medium evolved into something that could convey humor and fun.

FUNNY SCULPTURE

When I first discovered the funny art of ancient Mexico I found myself wondering how it ever took root there. After all, the funny people had to live side by side with violent neighbors like the Mayans (above) and the pathologically aggressive Aztecs. But I checked and my timeline was off. The funny cultures thrived in the pre-Mayan, pre-Aztec era, before the time of Christ.

In that placid era they had time to play with their pets...

...and make fun of their goofy neighbors. 

Some of the caricatures were startlingly specific.

Pocket-sized joke sculptures were all over the place.

Every physical type was lampooned.

Women too, particularly women with thick legs. 

Of course males liked to sculpt sexy women. Who knows, maybe there was a religious reason for it. 

Haw! As time went by high-minded reasons might have become secondary.

My guess is that there was a thriving business in tiny porn sculpture. Was there a Hugh Hefner of that era? Were these figures sold "under the counter" in the marketplace?

I like the flat-on-their-backs, rigor mortis-type poses in this (above) example. Two thousand years later accountants may still be doing the deed this way.

Cultures that value comedy always strike me as being on the path to liberty and progress, but Mexican humorists lived in an increasingly rough neighborhood and, well...the rest was history.

DISNEY HAUNTED MANSION BUSTS

Above, from Disneyworld's Haunted Mansion, the evil twins Wellington and Forsythia.

Who are these characters? It's not hard to imagine a whole film built around them.

From the same Haunted Mansion garden, it's (above) a bust of Uncle Jacob, a murderous miser.

Yikes! Is that Thurl Ravenscroft (above, foreground), the voice of Tony the Tiger?

Above, the Evil Coachman.

Evil coachman can be found in any era.

Here's some inverse statuary from Tokyo Disneyland.

Uh oh, I'm all sculptured out. How 'bout a couple of framed pictures from the mansion hall?

The park should sell posters of this ghost ship.

One final picture. I want to end this on an uplifting note.

A VISIT TO THE GETTY VILLA

I just spent a large part of the day at The Getty Villa in The Pacific Palisades. If you live in LA you know that this recreation of a Roman villa houses one of the best collections of Greek and Roman art in the United States.

My favorite room is the one containing the busts. This Roman bronze (above) is extraordinary when you see it up close. The face shows a man full of grit, someone who spits in the face of adversity and refuses to buckle under. 

Yikes! I'm paying the price for not reading the inscriptions. Who is this man? Alexander? Maybe it's nobody well-known, but he dominates the room.

This (above) is simply a highly individuated balding man.

A fascinating likeness (above)! Who is this man?

Above, the emperor Nerva. He looks like Lawrence Olivier in "Spartacus."

This is Commodus, the dissolute son of Marcus Aurelius. I thought Bernini invented this ultra-smooth, beautifully mannered technique, but I guess he didn't.

I've seen this face (above) many times on modern men in present day Los Angeles, yet here it is, on a bust more than 2,000 years old. 

Here's (above) "The Charioteer," which celebrates the victory in a race of Rome's most popular charioteer. 

I'm wondering if the real life charioteer paid for this sculpture (above) out of his own pocket. How else to account for the obvious "Chick Magnet" appeal of the shapes? You should have seen how the women in the museum reacted to this statue.

Above, another bearded man. 

Here's (above) a stunningly charming female face. The sculptor must have admired his subject, maybe he even fell in love with her. It looks like something Carpeaux would have done 1500 years later.

This statue (above) blew my mind. The fluid, quirky style reminds me of Donatello's "David." I thought Donatello invented this technique, but this sculpture pre-dates David by at least 1500 years.

Here's (above) a musician or a poet being visited by the muses. An easily grasped concept, right?

Wrong. What the heck is that (above) fish tail on their backs? I wish I'd taken the time to read the inscription.

Above, a couple of artifacts from Greek theater. The Getty has more painted items like this, but photography in those rooms was forbidden. 

BEATNIK COSTUMES

Three girls who are going to the same Halloween party might try something like this...The Three Bored Beatnik Girls. It's important to look bored and aloof if you're going to be a beatnik. 

Geez, I wish I hadn't shaken the camera when I took this. Thanks to Mike for revealing his p....to Theory Corner readers. Oh, "P" is for porcelain. I had to look up the spelling.

Here are the same girls, only in color this time. How do you like "Darn-Old Duck" in the background at the top?

That's all I have on beatniks, but I do have more pictures. What do you think of this painting by Carl Barks?  I stole this from Michael Sporn's site. Michael says its his favorite Barks Painting. It's one of my favorites too, along with the "Scrooge in the Klondike" pictures.

Michael's site: http://www.michaelspornanimation.com/splog/

Above, old crones from a dark ride that I can't identify. I have a great idea for a dark ride. Maybe I can work it into a story.

Where would Halloween be without spiders?

This (above) looks like an amusement park ride that takes its passengers straight to Hell then returns for more victims.

Nice!

Can't think of a costume?  Maybe a hat is all you need.

Sometimes (above) it's only necessary to cover the back of the skull. 

For outdoor work on hot, sunny days I could actually see having a hat like this. 

Thanks to TCM we have lots of Halloween movies to choose from. Here's a still from "The Innocents." 

This (above) is from my favorite horror film, "Burn Witch, Burn." It's based on a terrific book by Fritz Leiber, "Conjure Wife," and a wonderful screenplay by Richard Matheson.

Then there's the wordless underground classic (above), "Dementia."

Can you find the face in this Baroque wall detail?

Here's a couple of my favorite sequences from James Whale's "Old Dark House." Start at 49:00 and end with 106:00. I'm a big fan of the The eccentric/elocution-acting style that preceded modern acting styles and that method is vividly on display here. 

Watch for it in the character of Sir Robert (The old man in bed, played by a woman) and the in character called Saul. Melvyn Douglas was one of the finest practitioners of the smooth elocution style that replaced the old style so we have a clash of acting styles that produces lots of fireworks.