I don't know how many times I've heard cartoonists say that they wish they could live in a Cliff Sterret house. That's Cliff Sterret's work above, and I too would like to have a house (or at least a room) furnished like that. Come to think of it, I almost did.
In the early 80s there was a serious attempt to sell Cliff Sterret-type furniture. It started with a design studio in Milan called "Memphis," headed up by Ettore Sottsass. That's his studio's work above. Not everything in the photo is his best work, but you get the idea.
I remember thinking at the time that this comic-strip furniture wouldn't last forever, and that I'd better buy some stuff before it disappeared. Real Memphis furniture was out of my price range so I waited for cheaper knockoffs, but when they came the quality was lacking. Not only that but Memphis didn't always hit home runs. I kept waiting for knock-offs of the better works but they were a long time coming. Memphis took a big hit because of the timidity of furniture manufacturers, and Memphis's distaste for comfortable furniture.
The Sterret influence was obvious to cartoonists, but I don't remember any art critic pointing it out. Critics were probably ignorant of cartoon styles.
Try to deny that this vase (above) was influenced by Sterret!
Here's (above) some Memphis teapots. In this case the influence was probably Picasso or Picabia. It's funny how teapots are always on the front line of new design movements. I guess prototype ceramic pots are easier to make than steal cutlery.
This is my favorite Memphis design...the futuristic antler bookshelf painted with kid colors. I'd still like to have a shelf like this.
This sofa (above) would look great in a comic strip. I wonder why no newspaper artist of the 1980s attempted to parody modern furniture styling in a strip. I mean parody it the way Sterret used to. Of course by the 80s the newspaper strips were almost as tiny as they are now. Maybe there was no room.
Also, it looks like the sofa is made of cheap plywood with fabric stapled onto foam. Memphis had good ideas but you get the feeling that no one with real furniture know-how worked there.
The designer of this table (above) must have channeled Sterret!
Sterret liked to design the patterns in draperies and chair covers, and so did Memphis. That's their work above.
Like I said, Memphis didn't always hit home runs. The chair above looks pretty uncomfortable. It would have looked great in a comic strip or a cartoon, though!
