THE LATEST TREND IN ART

What's the latest trend in art? That's a good question!

We're departing from previous 50s-type Modern Art, no doubt about that.  50s art was often about weird organic shapes. Here's (above) a piece by Jean Arp who was fascinated by bread mold and lava lamps. I like it because its funny, but I guess it's not for everybody.

At least Arp was neat. You could eat off the floor in his studio.

Most artists aren't like that. We're a landlord's worst nightmare.

I don't know why but a lot of us just can't think unless we're surrounded by clutter.

If you're a landlord and this puts you off, then you'd better not talk to your artist friends about it. We're a volatile bunch, easily offended.

Maybe that's because we're full of anxiety. We're required to comment on hard to pin down things like what's "in the air."

Critics expect us to be the early warning radar of what's coming next.

Yikes! I don't know what's in the air. I have enough trouble finding my car keys. That's a big responsibility they're laying on us.

Oh, well...we'll do our best.

So what's in the air? My best guess is sentimental dog paintings. Dog slippers, dog pens, dog Kleenex...anything dog. There. You can bank (bark) on it.

[BTW., none of the art portrayed here is mine.]

AN IDEAL HOUSE!

I just saw the 2006 Gwyneth Paltrow movie, "Proof." It was director Director John Madden's next film after "Shakespeare in Love," a film I watched at least a half dozen times. I'm tempted to talk about the story here but I'm an artist and I'll try to stay focused on the wonderful house that was used in the film. That's it above.

In the story a bereaved Paltrow was the daughter of a famous mathematician, recently deceased.  This was the house her character grew up in.

Isn't that porch wonderful?  It could use some paint, though. Maybe "stressed" wood was still in fashion in 2006. 

Throughout the film horizontals and verticals are stressed. The art director thought that was appropriate for a film about math people.

'Nice neighborhood. Lots of trees and shrubs.

A large living room with hardwood floors makes for a perfect party.

I love the upstairs halls that you find in houses like that.

Geez, the dad's workroom was even messier than my own. I like it, though. Are those subway tiles behind the desk?

I especially like windows of that type, and notice the fibrous wall covering.  It allows the entire room to function as one big bulletin board.

Window sills are covered with shells and concentric cactus plants...it's the math theme again.

Even the pattern on the bedspreads is subtly math themed with repeating patterns. I'll discipline myself to ignore the quasi-nude scene that this scene builds to.

The kitchen continues the math idea with linear fluted trim on the windows and doors. It's a great look. 

Ditto the breakfast area with linear patterns on the cushions and vertical paneling on the walls. That's the sun room on the other side.

I love sun rooms! The architecture, the light and temperature...everything is different out there. Rooms like this are like little Robinson Caruso shacks grafted onto manor houses. It's a terrific idea! 

I'll end this with Paltrow lit simultaneously with dim blue and straw-colored lights. That's an easily achievable effect even in ordinary homes!

INTERNET WAS DOWN: BACK TO NORMAL NOW

.....

LAUTREC AND THE MOULIN ROUGE

I'm writing this to make a point about the purpose of the best pictorial art, but I'll need to set up an example first, and for that I offer the Moulin Rouge (above), the famous Parisian dance hall and theater as it was around the late 1890s.

The MR promoted itself as the birthplace of the Can Can. Some say it wasn't, that "kicking the Moon" had been around for decades. I dunno. What I do know is that lots of people believe this combination of Offenbach-type high energy music and eroticism was as good as entertainment gets.

 Anyway, here's (above) the outdoor beer garden in the back. Nice, eh?

To promote the Moulin the management contracted with well-known artists to turn out a series of posters which were pasted on fences and billboards all over Paris. Surely the greatest of all these artists was Lautrec. That's his very first poster for the Moulin, above. Geez, he was smoking hot right out of the starting gate.

It didn't hurt that he was working in an inventive new style that seemed to underline the hipness of the club.

The man had stiff competition. Jules Cheret (above) turned out charming posters that were dynamic and colorful.

Steinlen, the creator of the Chat Noir cat posters, emphasized the joy of people watching, of being shoulder to shoulder with dangerous, unpredictable, fun loving people (the poster above wasn't done for the Moulin but was typical of Steinlen's later work for the club).

Even so, I'll bet that for most people the laurel goes to Lautrec. Where other artists simply promised a good time, Lautrec seemed to promise something transcendent, something approaching insight and ecstasy. How the heck did he achieve that?

By way of an answer I offer two Lautrec drawings commissioned by performers at the Moulin. Both are close-ups showing a Moulin actress sitting in a carriage, but only one possesses the Lautrec magic.

 That's the second one, above. Here the actress is also in a carriage but she's unaccountably underlit as if by theatrical footlights, and she's elegant and accompanied by what looks like a rich man.

More than simple admiration it creates a yearning in the viewer to be there in that special time and place, to witness a confident performer in an exotic club in the world's most interesting city. You're induced to feel that if you miss this magical night you'll regret it for the rest of your life.

The point I'm trying to make is that Lautrec was selling adventure and a Utopian vision. He was selling dream fulfillment. In the case of the poster above he was selling the thumping of dancers on floorboards and eroticism and wild music played in blinding light.

LESSER KNOWN RODIN

Shocking!  How did he ever think of adding all that mass to the shoulders? 

  

"Headless Nude Torso: Study for Balzac, 38", plaster, 1893-95.  I love the earthy solidity of this figure. It would have been nice to see a bronze of this.

"Man With a Broken Nose," 1863-64. How do you like the "can of worms" technique? It's a powerful portrait that also pays homage to the medium. All the best art is like that. It celebrates the possibilities of its medium at the same time it drives home its  overt message.

Above, 'The Crouching Woman," 1880-82. Okay, this isn't what you'd call a "lesser known" piece but most people are only familiar with the 33" high bronze.

Here's (above) the 12 inch terra cotta that the larger bronze was based on. I'm glad we have both versions; you can see more detail here.

It looks like Rodin modified the shoulder when he scaled it up.

Above, a brooding Victor Hugo. Wow!

Here's (above) Flying Figure" from 1890-91. It's from the same year that he did the similar but even more iconic "Isis, Messenger of the Gods."

Above, Isis.

YET MORE CARICATURES

I just found some more caricatures! Here's one of me by Lenard Robinson. Not bad, eh?

This (above) isn't a caricature but I want to include it anyway. It was a gift from Katie Rice! It was meant to be a fridge magnet but it looked so good on black paper that I hung it on my black bulletin board instead.

Oops! I just noticed that the legs bowed when I took the picture. they're supposed to be straight. 

Here's my kid when he was a toddler, drawn by John K.  John was fascinated by the size of little kids' heads.

Finally, here's a doodle I made of John for an old Theory Corner blog post. Haw! I can't remember why I gave him surfer hair.

REC ROOMS

If I have a basement rec room in my new home then I'd like to have a wide, square coffee table like the one above.  I like to work while I watch TV and I like to spread out when I'm working, so a table like this facing a wall mounted TV would be perfect.  I picture a sofa where the wooden bench is now.

In back of the sofa (above, lower left) I'd have a long, shallow table or desk that would enable me to peek over the sofa and work or eat a meal while watching TV. The picture from a book that illustrates this only shows a corner of the table so I'm so I hope the idea gets across okay.

In the part of the country I'll be moving to it's common to leave basements unfinished, so the ceilings of rec rooms are often made of exposed wood. If that's the case then I'll sand and varnish the ceiling and add natural wood pillars like the ones shown in this Reggio Emilia school room above.