OFF TO THE BEACH!

I'm taking time off to go to the beach! I wonder if I can get my kid to come with me?


BTW: That's not me in the picture above.

Bye, bye wage slaves! Have fun in your cubicles! See ya Monday!

WALLY WOOD REVEALS THE FUTURE!

Nobody understood the future like Wally Wood.  He knew that our successors will have emotional conflicts just like we do, and that many a future spat will be settled with a laser blast. Here (above) two young space patrolers squabble under the ceiling of a futuristic bachelor pad owned by a nice old granny. The spaceman's wrinkly suit appears to be caught in his buttocks, but no one seems to notice.



I love the way Wood handles his backgrounds. All his characters, even villains, creatures and old ladies, take an obvious delight in cavorting around the 50s furniture. Wood would have loved Ikea, which is as close to a real-life Wood theme park as we're likely to see. 

Wood rightly assumed that future men will lust over beautiful babes the same way we do now.  He knew that women will spend a lot of time lounging around their pads in see-through clothing, and will therefore get lots of calls from guys on their video phones.
  

He foresaw that young men would live in spotlessly clean, high tech apartments in the tropical jungle. No bugs or mud, just friendly, beautiful neighbors.

Wood also knew that beautiful girls will have no need to take rocket ships to other worlds.  Every strange, loathsome beast in the galaxy will sooner or later come to them.

Last of all, Wood knew that tail fin cars would make a comeback, and that the future would be full of them. How did he know!? It's uncanny!

"FEEL MY FANGS ON YOUR SPACE HELMET!"

A Short Story by Eddie Fitzgerald
(Copyright 2010 by Eddie Fitzgerald)


It is I, Magog the hunter, daughter of Nartha the matriarch, and along with my fellow nogs I watched the metal thing emerge from the stars and, with fire roaring from its bottom, land on the surface of my cratered asteroid. None of us had ever seen anything like it, so we waited in practiced stillness to see what would happen. Who knows? Maybe there was a meal to be had here. Sure enough, after a bit, a hole appeared in its side and a creature emerged.

It walked on only two limbs, something none of us had ever seen before. How does it do that? Nogs have barely enough at twenty, twenty-two if you include the large mandibles which are for ripping and tearing, but are also useful as extra legs when running down prey.  No need for that now, though. With no prompting from us the thing was slowly advancing right into the middle of us, cautiously shining a wide beam of light into the shadows that defined our still and rock-like bodies.

I was in favor of waiting another moment or two but one of the hungriest young nogs impetuously reared up and loomed over the creature, its mandibles opening and closing; hot, steaming acid dripping from its grinding mouth parts. The startled creature made a move to run back to the metal thing but was cut off by several adolescents who spat a corrosive fixing fluid that anchored the creature to the spot.

The thing was doomed, but was apparently determined to sell its life dearly. It reached into a pouch on its side and frantically withdrew a thing which shot out beams of light which vaporized whatever they touched. A big mistake. At the sight of a struggling victim nogs go into a feeding frenzy of inconceivable ferocity. The creature shot its beams this way and that, pouring the destructive force of its energy into us; maiming, killing, destroying, and for a moment appeared to be getting the upper hand. It was time for me, the chief, to enter the fray.

With a leap I jumped onto the transparent globe on top of its body and sank my fangs into the smooth surface. The top of the disk crumbled and there was a whoosh of gas and inside I could see a soft hairy thing which I immediately bit. The flavor was indescribably delicious but the thing was still alive and was able to bring its shooter up to my abdominal segment and fire.

In the silence of space I saw my body divide into two wildly flailing parts. My entrails unwound into the ether and large quantities of blood escaped in shimmering globules. My time was up. I only had a moment of consciousness left, but that's not important. For nogs it's the species that matters, not the individual. With my last instant of wakefulness I watched as my belly disgorged hundreds of small nogs which carried the feeding frenzy into the gaping hole in the shattered dome.

Life goes on.

I GET MY COMEUPPANCE

This is for all the Theory Corner people who were mad at me for making pictures collide with the right sidebar. I can't promise to fix that right away...I just think it's funny...but readers deserve some satisfaction for all the suffering they've endured. For those readers I offer this picture (above) of me getting my just comeuppance.

As long as I'm in a confessional mood, I'll admit that I went out of my way to find pictures of busy subjects with the intention of buggering up the sidebar even more than I normally do.  I looked for pictures of messed-up hair, tangled wire, and spaghetti.

Why? Why do I have this irresistible urge to mess up my beautiful sidebar?  I don't know. It's one for the psychologists, I guess. I'll just offer my chin for one more chastisement then go back to my hole under the gnarled oak tree and nurse my wounds with the water beetles.



 

CONFESSING MY VENALITY

I consider myself a kind man and a good neighbor. I look in the mirror and I see a sainted man full of the milk of human kindness, a real pillar of the community...or at least I did until the other day when a friend asked me to show him how Photoshop works.  I found myself saying, "Bugger off!  I had to learn it the hard way, and so should you!"  

Actually I didn't say anything like that, but I rattled off some sugar-coated bromide that meant the same thing.  A minute later I felt terrible. How could I be so mean, I who had my tin cup out, begging friends for Photoshop help only a short time before? I made a note to call my friend back and offer to help, and also to try to understand my own selfishness.

After thinking about it, I concluded that maybe I'm not really such a jerk after all, that maybe something about Photoshop actually encourages behavior like that.  I had just learned it (sort of) and like everyone else I'd convinced myself that I'd just breezed through it, with no trouble at all. It was a comforting myth, and it made me feel good about myself. Now, with someone asking me to teach them, I was suddenly forced back into reality, and the painful memories of a time when it seemed I could do no right with the program.  Nothing makes you madder than being confronted with reality.

What is it about programs that makes every user construct a personal mythology where every obstacle was painlessly pushed aside?  Something about computer culture makes every initiate a collaborator in the conspiracy to make computing seem faster to learn than it really is.
 

The computer era I live in reminds me of the way things were a hundred and fifty years ago when refined people wore starched shirts and whalebone corsets with rib-deforming waists and hoop skirts and elaborate hairstyles. Of course the trick to making all this bearable was to put all the fuss of morning dress-up out of your mind, and imagine that that you just put on whatever was handy.  Tom Wolfe nailed it when he said that human beings are status-seeking creatures and we'll do anything to convince ourselves and others that we acquired our god-like attributes with no effort at all.

Soon I'm going to try to pick up the relevant parts of Illustrator and Flash. Then there's...Groooooooan!... ToonBoom. That's going to take time. I'd much rather spend the time improving my drawing and animation, but if I want to stay employed...

Oh well, at least I'll have the satisfaction of knowing that after I go to all this stupid trouble I can create a memory for myself that I learned the programs effortlessly, in a few weeks.




  

CRAWFORD SLAPS

 How 'bout some Joan Crawford slaps (above)? There's some real dooseys here.  Slaps are a useful dramatic device. The writing in a scene builds up to its slap, as does the performance. The worse thing a writer can do to an actor is to leave them rudderless in a scene that meanders all over the place. Slaps give a scene a direction, something to build to.



My favorite screen slap of all time is the one in "Mildred Pierce" where Crawford's daughter slaps Joan on the stairs. Crawford is completely disoriented and nearly falls off screen. No wonder...the slap was real. Crawford insisted on it. I wonder how many takes it took to shoot it?




Was Crawford tough in real life? I'm not sure. The stories are contradictory. In the interview above Arlene Dahl implies that Crawford deliberately threw her drink at her while at a dinner party. In the same interview Gloria DeHaven says Crawford unselfishly taught her a really useful vocal technique, and  tells us what the technique was.



My guess is that the real-life Crawford was usually pretty nice, but we can hope that there were exceptions. I like to think of her as the hostess in this scene (above), where she fires her maid for dropping a cup. Crawford's real life daughter Christine, author of "Mommy Dearest," claims she was just like the roles she played in "Queen Bee" and "Harriet Craig."

BTW, I think the person who uploaded this video meant to title it: "Joan Crawford Is Pissed in the Movie Entitled 'Harriet Craig.'" The present title implies that Crawford did something unspeakable to someone named Harriet Craig.



What a whiner Crawford's real life daughter was! Here (above) Christine gets the punishment she deserves by being a guest on a nightmarish Italian TV show that never lets her speak. Watch it to the end because the actor who dubbed Cliff Robertson's voice does an even more over the top vocal than Robinson.

DAVID O'KEEFE TAKES A BOW

I've been laughing at this guy's paintings and sculptures for years (that's Seinfeld above), but I never knew his name til now. Maybe you didn't either. It's David O'Keefe, possibly the best caricature sculptor in the world right now.

Every caricaturist does Clint Eastwood, but how many do him this well (above)?

Above, an impressive Brando.

An awesome Nicole Kidman (above). Where'd she get a mouth like that?

Not a bad Sheryl Crow (Crowe?)!

O'Keefe paints too. You can buy prints on his site.  This one's (above) called "The Clinton Years."

Recognize Led Zeppelin?

Check out David's site:
http://www.davidokeefe.com/