
Underlighting is an interesting effect. It emphasizes completely different details than top lighting. Look at the examples above . The two pictures are of the same person, only the light is different. The difference is amazing! The bottom-lit picture is robust and menacing. You can see every pore in the skin. The top-lit one is ethereal and unworldly. The eye sockets are huge and sunken and the details in the skin have disappeared.
The top-lit guy (bottom most, above) seems too thin to be completely menacing. He's spooky but he look like he's about to keel over from malnutrition. A lot of department stores use overlight in their dressing rooms. It's the easiest light to do and it makes people look thinner.
Underlight looks simple to shoot but you still have to pay attention to the overall effect. Here (above) a light was necessary to separate the back of the head from the background and a dark shirt was worn to eliminate the distracting body and keep the focus on the face.
This still (above) seems too good to be true. Were the eyes and mouth really that black in the original photo?
Girls playing victims look great underlit. It's such an unflattering light for them that seeing it there makes the girl seem completely out of her element and at the mercy of the killer.
You only realize how extreme and exaggerated Frankenstein's lighting was when you see other actors (above) underlit. Here's Peter Lorre with a more subdued underlight. .
Here (above) it looks like Frankenstein was hit by a top light as well as a bottom light.
An interesting interpretation (above) of Frankenstein's head, emphasizing the lower face and blacking out the forehead and hair.
Underlighting didn't seem to do much for this actor (above).
A classic example (above) of underlighting: The eyes are highlighted, the nose is a tall, dark cone, the upper lip is white with a dark moustache of shadow right above it to make the mouth seem bigger and wider.
I haven't seen "Frankenstein" lately but my guess is that a number of his scenes were top lit like the one above. It's a great effect. The toplight makes him seem intellectual and supernatural. The bottomlight makes him seem like the embodiment of fate-ordained death.The browridge is still very prominent here and it marks the dividing line where the bottom of the face turns gray. Is that just lighting or did they help the light along with darker and lighter make-up in some scenes? How do you like the eyes and sides of the mouth?





Announcer (Cont): "Roderigo, in an effort to forget Juanita, fled into the arms of the sultry village vamp, Carlita, and led a life of dissipation! In our last episode Juanita met Roderigo in the local cheese shop and begged him to take her back."
KNOCK KNOCK KNOCK!
KNOCK KNOCK KNOCK!!!!!!
Announcer (CONT); "Does it have anything to do with an alleged baby? Or is something even darker and more disturbing about to enter their lives?












