MEMPHIS FURNITURE

Above, you'll find a room full of Memphis furniture (above) from the 1980s. That was the trendy furniture style of its day, the thing we 80s people all longed to have. Gee, 30 years later some of the pieces look like shag cat toys, and a whole room full of it seems like clutter. Even so, I retain an affection for it. Maybe it's worth examining to see where the movement went wrong.

First, lets talk about what they did right. How do you like these Cliff Sterrett / Picasso-style vaces (above)?  Probably flowers didn't look good in them, but who cares? They look great!

And the iconic bookshelf (above) by Milan designer/Memphis co-founder Ettore Sottsass (yes, that was his real name) was marvelous.  Everybody in the 80s wanted one.

The problem was that, although it looked good as a stand-alone, it didn't integrate into a whole furnished room very well. The fact is that nobody had an idea of what a Memphis-style room should look like.

That's a photo of Sottsass above. Yikes! He doesn't look very happy.

I suspect that the man had enormous problems with production and quality control.  I'm guessing that people who did knock-offs of his ideas made a lot more money than he did.

Some of his studio's designs were misfires (above)...

...and some (above) looked downright uncomfortable. That's okay...nobody bats a thousand. If he'd had more time to iron out the kinks I think Sottsass would would have dominated furniture design well into the late 90s, but time was running out.

Memphis was grounded in 80s rock culture but rock was quickly giving way to hip-hop and that movement had no use for Memphis influences like Matisse and Picasso, Miro and Leger, Klee, Stella, Gris and Mondrian.

Boy, poor Sottsass!

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BTW: A couple of the pictures I posted may not have been of Memphis products per se, but I included them because they were close enough to be relevant.

INTERIOR DECORATION FROM NORWAY

Norway (above) has to be one of the most beautiful places on Earth, and the people there are some of the most appealing. They have a lot of talented home furnishing designers there, in fact I just stumbled on one their sites on the net. It belongs to a woman who doesn't identify herself, but who has pretty good taste in design. See if you agree. 

  

She likes a lot of what Americans have come to identify with IKEA, but she favors the most pure version of it. That's understandable. Norway has an even more extreme climate than Sweden. With long, dark winters, Norwegians naturally favor white (above). What better way to deal with the gloom than to capture every available photon and bounce it around the room?

Even her color accents are tinted with white, as if they were weathered. She has a way of bringing the harsh climate outside into her home and taming it. The tiny, delicate areas of color remind me of wildflowers, which I imagine have a special significance to mountain people.

Her inside windowsill decorations include lots of glass, including glass bottles filled with plants. Maybe the clear crystal of the glass reminds her of ice. Maybe the green is a symbol of hope.

Reminders of ice crystals (above) are everywhere. This designer has not only made her peace with snow and ice...she celebrates it.

Lace is a kind of cloth version of ice crystals and she uses it on lamps. The rest of the room (above) is a bit too minimalist for my taste but the light fixture is a good idea. It kinda looks like the full Moon, too.

At night the white walls take on a pleasing warmth. Very nice. it makes the room look like a comfy alcove in a country barn.

The textiles designed by this artist (above) tend to be rustic. Most of the colors are tints.
This banner looks like an explosion in a bikini factory.

Summer doesn't last long in this part of the world and when it comes, people cling to it. She doesn't just situate her dining table under a tree, she surrounds the tree (above), milking every ounce of green it has to offer.

For a color accent she puts out delicately colored tulips. Boy, Norwegians really know how to savor the Summer.

I noticed these boots in one of her photos. I'm sure she didn't invent this look but I like the fact that she appreciates it. When I was a kid little girls wore boots of fire engine red. These newer boots are a delicate, weathered, Scandinavian red. Very nice.