THE STEPS OF WELLESLEY COLLGE

The building above is pretty lackluster but I'll forgive it because it contains a killer tunnel and staircase. You can see the entrance to it in this picture. It doesn't look like anything yet but keep walking.

The little staircase on the side acts as a pivot which orients you forward. There's a tantalizing glimpse of something at the end of the tunnel.

You walk toward the light, smelling the tunnel and feeling the broad, horizontal sweep of it. The image at the end gets more and more interesting. Like a stripper it only gradually reveals itself.

The steps don't rise evenly. Everytime you hit an especially interesting view the architect prolongs it by flattening the steps.

You climb the steps and the churchtower is dramatically revealed.

The reveal was so exciting that the full view almost comes off as an anti-climax. Neat, huh?

MORE OF THE INCREDIBLE PETER PAUL RUBENS

I don't have the bandwidth to comment so here they are, unaided by me. Click to enlarge! These won't look very good small.

THE BEST CHRISTMAS PRESENT

Nobody ever takes me seriously when I say this but here goes: the very best adult Christmas presents are....fuzzy slippers and cheap perfume for a woman and a wallet or a tie for a man, even if he has no money and never wears anything but tee-shirts. I'm not kidding, these really are good presents! Presents are meant to be symbolic. If you stress out over finding just the right present for every friend and family member you'll never enjoy the holiday.

If you're like most people and you think what I wrote above is crazy or irrelevant then here's my fall-back suggestion: give the person something completely unrelated to what they're interested in. It has to be something good mind you, something that's the best in it's field, but something the person has never even thought about. I don't smoke and I'm not really interested in cigars but I have to admit that I'd be curious to smoke what people in the know consider the best cigar. Maybe smoking isn't really a filthy habit at all if you smoke the right stuff.

On another subject, Chrismas shopping is sooooo stressful. I still don't know what to get my wife! Every year she always says, "I don't see why you're having so much trouble getting me a present! There's only two things I don't want: don't get me anything useful like an appliance because everybody benefits from that and it's not personnal. And don't get me something that's not useful because the house is filled with stuff like that already. Absolutely anything else would be fine!" And every year I always answer with gritted teeth, "What are you talking about!!!???! Every single thing in the universe is either useful or not useful! There IS nothing else!" This is an irreconcilable conflict.

MIDNIGHT AT THE HOUSE OF PANCAKES

Two strangers (Kali Fontecchio & I) enjoy an idle cup of coffee...










Uh-oh! There's always an angry boyfriend....

That's it! There's more pictures but I have no more bandwidth! You can see the whole thing, including Kali's boyfriend beating me up, at Kali's blog where I swiped these:

http://kalikazoo.blogspot.com/

A CHRISTMAS PRESENT FOR EVERONE ON THE BLOG

Here it is, a detail of "Clara Serena Rubens" by Peter Paul Rubens, circa 1614. Be sure to click to enlarge. Rubens made this portrait of his daughter when she was about five years old. She died when she was twelve.

The book I got this from, "Rubens A Master in the Making", calls this one of the freshest portraits in all of Western art and I know of no reason to disagree. Rubens was an amazing guy. He always painted the greatness in man. Never anything shabby or second-rate.

Here also is my Christmas card to every one courtesy of Vincent Waller. Thanks Vincent, and Merry Christmas everybody!!!!!!!!!!!!!!!!!!!! http://www.elfyourself.com/?userid=d46d1179b2cbbd0ec2f5e30G06121418

HOW TO IMPROVE YOUR PAINTING OVERNIGHT

I just watched Charles Reid's "Portraits in Watercolor" video and I have to say that I was impressed. Reid's technique is interesting but it's his mannerisms that really caught my eye. He seems to be a very nervous painter. The jerky, too-quick way he mixes his paints on the pallete, the way he brings the pallette up to his face, the way he almost seems to talk to the canvas under his breath all give the impression of an obsessed, crazed artist.

I don't mean to imply that I think Reid is crazy. He's not. But I admire him for taking on the attributes of a crazy person when doing so forces him into a greater intimacy with his picture. . Painters should curse at their pictures. They should engage in an angry, energetic and exhausting fight with their canvases. There's plenty of time to relax later when it's clear that the picture's going to work. The time of heightened risk, when success or failure hangs in the balance, should be supremely stressfull. Patton was right when he said the soldier who can loose and laugh wasn't much of a soldier. You should be so keyed up when drawing or painting that a dropped pencil or a ringing telephone would make you jump to the ceiling. Art is a serious business!

DAVIS & KURTZMAN DRAW THE SAME STRIP

Kurtzman wanted to pitch a comic book version of Dickens' "Christmas Carol" but after doing one page he decided the project was more likely to sell if he brought in Jack Davis to do it. Consequently we have the same page, even the same panels, done to a finish by two interesting artists. Which do you prefer?


I should mention the book I got these from but I can't find it. The title was something like "Interviews With Artists."