THE FUNHOUSE (PART ONE) (WORDLESS)

  

TO BE CONTINUED........

AN ABUSIVE CORNER MAN

The pictures here are all from a different era. I couldn't find anything on the net to illustrate the particular modern fight I have in mind. Oh well, they're kind of interesting for their own sake.

Anyway, It's tough being a corner man in mixed martial arts. How do you stand out on TV and make a reputation? It's a job that everybody takes for granted...until now. I saw a fight on John's HD Net on Friday night where the corner man stole the show.

The man cornered for an African American guy...I wish I could remember the name. he was a terrific fighter, but had the handicap of being a gentle intellectual who'd rather be with his books. You could tell he deeply regretted the necessity of hurting other fighters.  He was like Ferdinand The Bull, if you know that story. The other guys on the bill all strutted in to the tune of gangster rap. This guy entered to classical music. I didn't recognize it, but it was something pastoral that suggested sniffing daisies in a meadow.

At the entrance to the ring his corner man, who was huge, turned around and began to insult the fighter. Right there on TV they got into a nose-to-nose shouting match. I'm not sure, but the corner man might even have slapped the fighter. The fighter got madder and madder, til he pushed the corner man aside and stomped into the ring, ready to tear apart anybody who got in his way. It looked to me like the corner man deliberately provoked him.

Like I said, the formerly gentle fighter was skilled, but his opponent was even better. At the round breaks the battered gentle guy would slink back to the corner where the derisive corner man would reinvigorate him by insulting him some more and throwing Gatorade in his face.

Regretfully the gentle man lost. I thought the whole drama was over, but there was one more act waiting to play out. His cocky opponent, the winner, came over to our guy's corner, put his arm around the corner man, and proceeded to chat the corner man up. I couldn't believe it! It looked like he was offering the corner man a job working for him. Our guy sat on the stool watching all this and was completely dumbfounded.

I know what you're thinking...that this was all staged to get a laugh. Maybe, but I don't think so. It looked like a real fight.

I ALMOST BECAME A SHOE SALESMAN!

When I was a kid shoe salesman was a high status job.

 The shoe salesmen were all well spoken and impeccably dressed. TV ads always portrayed them as consummate professionals. In some stores they even operated X ray machines called fluoroscopes which were specially designed for feet. I loved getting new shoes because that meant I got to look into the machine's viewer and watch my own skeletal feet.

Geez, that was dangerous radiation. I hope I don't wake up some morning with an extra head on my shoulders.

Parents had to be careful with money in those days, so they always got over-sized shoes that their kids could grow into. I guess that made the salesman's job easier.

Like a lot of kids in my time, I considered selling shoes as a possible career. Ads in magazines gave me the impression that only beautiful women bought shoes, and I was prepared to do my best for them.

I was aware of the hazard presented by dealing with beautiful legs all day. Even as a little kid I fully expected a lot of customers to throw themselves at me. I anticipated that I'd have to deflect their advances, and I was determined to do it with humor and savoir-faire. After all, a shoe salesman is a professional and must maintain a professional detachment.

I can't remember what changed my mind about selling shoes. Was it Bundy's horror stories about the job in "Married With Children?" No, that came much later. I guess I just got interested in other things, like being a pilot or a general....or a cartoonist.

 Occasionally I come across a veteran shoe salesman from the old days. These guys still dress like Cary Grant and still treat their customers as if they were lordly aristocrats. They still handle quality leather shoes as if they were marvels of technology and craftsmanship. I'm always tempted to ask them what it was like in the good old days. Ah, the stories they could tell!

HOW TO TAKE PICTURES OF FRIENDS

Groooan! It looks like I won't be able to avoid using a bad picture of myself (above) to illustrate this. Okay, here goes: I look a hundred years old in this picture! I look at this photo and imagine that there must be an IV stand and oxygen tanks just out of frame. How I wish the person who'd taken this had told me that when he took it. If I'd known, I could have struck a different pose, one that was more flattering.

People don't tell you that you look bad in a picture because they figure that, whatever its defects, it captures the real you. That's because they value fidelity to reality above all.  Not me. I can see the real me any day by looking in the mirror. I don't need pictures for that. What I want is a snapshot that makes me look good, that creates a reality where I fit in. That's what I'm thinking when I take pictures of myself (below).

I've been thinking about this lately and it occurs to me that a lot of people probably feel the way I do. At least some of the time they want snapshots that reflect their inner life or the way they react to the world around them.

The conclusion that I've come to is that I'll have to modify the way I photograph other people. I'll try never to take snapshots of friends that makes them look less than the way they'd like to look (well, within reason...). If I do take some questionable pictures I'll delete them then and there, on the spot. The subject will never have to worry that an unflattering photo that I've taken is circulating out there, waiting to bite them.

The way I look at it now, when I take your picture I'm acting as your agent. I'm trying to sell you to the world. I want you to look good, or as good as a snapshot can. If you have a best side, or a most flattering angle, let me know. If you have a weak point let me know that too, so I can avoid it. If I take a picture of you at work I'll try to make you look efficient, or like somebody it would be fun to work with. If I get you in a social situation, I'll try to get one that shows you solidly in the mood. I only ask that you allow me to make several pictures, because the first one isn't always the best.

P.S.: The picture I criticized at the top isn't really all that bad, and I'm grateful to the photographer for taking it. I had to exaggerate a bit to make my point.  That's Mike on the right in that picture. He always takes a good picture, though he denies it.


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BTW: I just learned that my old animation pals Byron and Betty Vaughns are in desperate need. Very serious medical problems together with a house that burned down and no immediate prospect of work, have left them in a bind reminiscent of something from The Book of Job. If you can help it would be much appreciated. You can learn more about the situation at their site:  http://bvneedshelp.blogspot.com/

WHAT ANNOYS YOU ON A DATE?

What a headache this post turned out to be! This was intended to be an easy to do parody of an article in Look magazine, but when I tried to change the captions to make them funnier everything got buggered up. Oh, well.....

BTW: I just got an interesting comment from a British actor whose internet name is "Propeler." It regards a post I put up on August 11th called, "What Is the Purpose of Acting?" Here it is:

Eddie, I am a British actor, most of my career has been with the royal Shakespeare company and I work regularly on television and film. I have had a dream career so far. I have appeared regularly in londons west end, won awards for my stage work with the rsc and acted with dame judi dench, Patrick Stewart and Ian mckellen. But, I have lost all sense of joy or purpose in it. Your piece on the purpose of acting has totally reinspired me and effectively stopped me from retiring early. The job can feel so self indulgent but you have reminded me of what is great about what we do. I thank you sincerely

Wow! I'm speechless! I don't know what to say, except that it's wonderful to know that something I said was that helpful. Many thanks Propeler for the kind words.

The post Propeller commented on: http://uncleeddiestheorycorner.blogspot.com/search? updated-max=2011-08-25T01:53:00-07:00&max-results=20

BOOK REVIEW: "KEYNES/HAYEK"

That's John Maynard Keynes above, the economist who popularized the idea that government intervention in the economy could prevent slumps and depressions. Keynes is one of the pillars of modern liberalism and progressivism.

That's Keynes' opposite above...Friedrich von Hayek, the Nobel Prize winning economist who believed that slumps and depressions are made worse by government intervention. Together with Mises, Hayek became one of the fathers of the modern libertarian and conservative movements.

The two men defined the economic battle of our time: whether governments should intervene in markets.

Now I know absolutely nothing about economics, but like most people that doesn't deter me from having an opinion about it. I'm a Hayek man (sort of)...though if you disagree, and have read a comic book on the subject recently, you could probably embarrass me in an argument.

If you're a Keynesian you'll probably love the book I'm reading now: "Keynes/Hayek: The Clash That Defined Modern Economics" by Keynesian Nicholas Wapshott. I like the way the author argues. At every step he digresses to explain what his opposite thinks, at least half the time fairly, and the biographical details go a long way in fleshing the ideas out.

If I were a book writer, that's the way I'd do it. You learn more from the intelligently laid-out clash of opposing ideas than from a book advocating a single idea. My own term for this type of thing is "conflict learning." This is one way I'd teach a class if I was a liberal arts teacher. I'd debate my opposite for half the class just to air the subject, then at the half way mark invite the class to participate. This could work, even for the discussion of literature.




But I digress. Keynes believed in government intervention in the economy to create demand.  Hayek believed that intervention would lead to a deepening of economic woes, which would create the need for still more intervention til we end up with a totalitarian state. Keynes thought that was silly. Look at Sweden and Switzerland...no totalitarian state there. Hayek pointed out the path taken by interventionist states like Germany and Italy in the thirties. That system was prevented from spreading only by war. I could go on, but you get the idea. The book is full of interesting back and forth like this.

Oddly, neither Hayek nor Keynes might recognize themselves in their modern disciples. Hayek is beloved by modern conservatives and libertarians, but he wrote an essay called, "Why I Am Not a Conservative," where he argued against nationalism, and laid out his belief that a culture should not be sentimentally attached to traditional ways of doing things. Keynes repudiated socialism as unworkable and believed that his system should only be applied at times of crisis when downturns in the business cycle brought about unemployment. Many of his modern disciples disagree and see government intervention as a constant. A fascinating book!




BTW: Who's the man in the cartoon (above)? He looks like both Keynes and Hayek.

Also BTW: Many, Many thanks to Kelly Toons and Jonathan Mastron for the great videos!!!!!!!! Both are worth watching.

MEN'S FASHIONS TO DRAW

Here's (above) some men's fashions that might be fun to draw. The first is from Life magazine circa 1949. Life liked this style, and so do I. Thin people look great in over-size clothes.

Here's (above) Glenn Gould in the 1970s. I wonder if "Lawrence of Arabia" influenced this look. It reminds me of the flowing robes that Bedouins wore in that movie.   

Here's Elvis Costello wearing the thrift store look. How do you like the "Saturday Night Fever" style on the guy on the far left?

Above, author Antoine de Saint-Exupery wearing a short, wide, hot water bottle tie.

Here's Gerry Mulligan in profile (above), looking like he was drawn by Wally Wood.

Mike sez that the "Double Cross" fez (above) is no longer available. Joe just wrote in to say that the company reconsidered, and the fez is once more for sale. Better order it fast before they chage their minds again. 

There's Ed Sullivan (above) again. I couldn't resist. How did he think of those poses?

Above, John Ford wearing the tight sweater and baggy pants that were popular in the teens and twenties. That look returned in the 70s. 

Above, the plaid jacket and saddle shoes that were popular with young "angsty" intellectuals in the 60s.

Here's (above) the way saddle shoes were worn in the late 40s and early 50s.  Interesting, huh?