A COMING COLOR REVOLUTION IN ARCHITECTURE

Illustrators and fine artists have been turning out tons of innovative architectural ideas for at least 120 years, but very little of it has been taken seriously by professional architects.  I believe that their neglect is about to turn around, and in thirty or forty years  a feeding frenzy will develop among architects for 20th Century art and illustration to crib from. 

The reason I place this frenzy 40 years in the future is that some of the technology that'll enable it isn't in place yet.  Take the Mary Blair painting above.  Right now nobody could make an elevated train and tracks with a black as rich and saturated as the one above.  Nobody knows how to make white light like the white in the train's windows...I mean white like the pigment, and not just sunlight. Nobody could do what Blair did and make the sky near a building black, even at night. Nobody could color a real building with the vibrant colors available from a tube of gouache. But they almost certainly will.

Have you seen the TV documentaries about the military research currently being done on bending light in order to render some colors nearly invisible? That's a neat trick, and it'll eventually pass into peace time civilian use. Depend on it, the same science that allows us to subdue color will enable us to enhance it. Expect to see Mary Blair's ideas made more real than any of us could have imagined.

BTW: Thanks to Amid for the picture above.

Here's (above) another Blair picture.  I  I like the way Blair subdues the background buildings by making them shades of blue. It makes for nice contrast.  The day will come when distant buildings that appear blue from our vantage point will become colorful when approached,  and buildings that were previously colorful will become blue as they recede from us. I'm not talking about the misty blue brought about by aerial perspective, I mean saturated blue, like the pigment.  The people actually inside the building will see no color change at all.

What I'm saying is that the not-too-distant future may bring us subjective color, which is experienced differently by different observers standing in different places. Interesting, huh? 

A WEEKEND WITH WILLIAM RANDOLPH HEARST

I'd intended to spend Friday and Saturday with the otters on the beaches near San Simeon, but the water was too cold for bathing so I and the family ended up spending a lot of time at the Hearst Castle instead.  Boy, am I glad I did! I've been to the castle before but I never took the all-important Tour #2, which concentrates on the architecture and the bedrooms.  What I saw may have changed my opinion of Hearst forever.  

I can't make an adequate argument for the man in just one post. I'll just say that what I saw and heard convinced me that he was dedicated to persuading Americans that they lived in the most interesting and stimulating country in the world, that they had deep roots in European culture, and had an historic mission to advance civilization to a new level. His publications promoted these ideas and so did the castle, which he built as much for you and I as for himself.  


 You get a sense of this when you see the working spaces provided in guest's rooms.  I couldn't find pictures to match what I saw, but here's one (above) that hints at it.  The desks were museum pieces but were also frequently large and comfortable to work at. 


Too much is made of the movie stars and celebrities he invited to the castle. An awful lot of the guests were writers, artists and photographers, and musicians, including creative people from his own publications.  Hearst wanted to be a catalyst for their work. He hoped he could inspire them with his vision of a Jazz Age dynamism informed by the highest achievements of Western civilization.

Here's (above) a frequently used room which served as Hearst's personal library, a conference room, and a study where he would work alone for long hours into the night.  Here he constantly admonished his editors and writers to try harder, to be more enthusiastic about the wonders of their time, to wake up the country to its enormous potential.

He had a smaller, more personal desk in a small room at the back, behind the large painting. I've noticed that people who live in large houses often have personal spaces which are surprisingly modest in size and content.

Hearst's many guests stayed in opulent rooms. He saw to it that they had every convenience.

He himself stayed in quarters which were more modest; more intimate and cozy. This (left) is his bedroom but the photograph doesn't do it justice.

The deep impression the real room makes depends on the visitors awareness of the powerfully sheltering medieval ceiling (detail above), the beautifully proportioned space of the room taken as a whole, and the understated but intelligent design of the opposite walls. The room tells you a lot about the man, and it's all favorable.

I'm a huge fan of Orson Welles, but in "Citizen Kane" my hunch is that he chose an interesting fiction about Hearst over infinitely more interesting facts. Hearst was a visionary hands-on publisher, whose magazines and newspapers were immensely successful. He was a money maker, not just a money spender. 

OFF TO THE BEACH!

I'm taking time off to go to the beach! I wonder if I can get my kid to come with me?


BTW: That's not me in the picture above.

Bye, bye wage slaves! Have fun in your cubicles! See ya Monday!

WALLY WOOD REVEALS THE FUTURE!

Nobody understood the future like Wally Wood.  He knew that our successors will have emotional conflicts just like we do, and that many a future spat will be settled with a laser blast. Here (above) two young space patrolers squabble under the ceiling of a futuristic bachelor pad owned by a nice old granny. The spaceman's wrinkly suit appears to be caught in his buttocks, but no one seems to notice.



I love the way Wood handles his backgrounds. All his characters, even villains, creatures and old ladies, take an obvious delight in cavorting around the 50s furniture. Wood would have loved Ikea, which is as close to a real-life Wood theme park as we're likely to see. 

Wood rightly assumed that future men will lust over beautiful babes the same way we do now.  He knew that women will spend a lot of time lounging around their pads in see-through clothing, and will therefore get lots of calls from guys on their video phones.
  

He foresaw that young men would live in spotlessly clean, high tech apartments in the tropical jungle. No bugs or mud, just friendly, beautiful neighbors.

Wood also knew that beautiful girls will have no need to take rocket ships to other worlds.  Every strange, loathsome beast in the galaxy will sooner or later come to them.

Last of all, Wood knew that tail fin cars would make a comeback, and that the future would be full of them. How did he know!? It's uncanny!

"FEEL MY FANGS ON YOUR SPACE HELMET!"

A Short Story by Eddie Fitzgerald
(Copyright 2010 by Eddie Fitzgerald)


It is I, Magog the hunter, daughter of Nartha the matriarch, and along with my fellow nogs I watched the metal thing emerge from the stars and, with fire roaring from its bottom, land on the surface of my cratered asteroid. None of us had ever seen anything like it, so we waited in practiced stillness to see what would happen. Who knows? Maybe there was a meal to be had here. Sure enough, after a bit, a hole appeared in its side and a creature emerged.

It walked on only two limbs, something none of us had ever seen before. How does it do that? Nogs have barely enough at twenty, twenty-two if you include the large mandibles which are for ripping and tearing, but are also useful as extra legs when running down prey.  No need for that now, though. With no prompting from us the thing was slowly advancing right into the middle of us, cautiously shining a wide beam of light into the shadows that defined our still and rock-like bodies.

I was in favor of waiting another moment or two but one of the hungriest young nogs impetuously reared up and loomed over the creature, its mandibles opening and closing; hot, steaming acid dripping from its grinding mouth parts. The startled creature made a move to run back to the metal thing but was cut off by several adolescents who spat a corrosive fixing fluid that anchored the creature to the spot.

The thing was doomed, but was apparently determined to sell its life dearly. It reached into a pouch on its side and frantically withdrew a thing which shot out beams of light which vaporized whatever they touched. A big mistake. At the sight of a struggling victim nogs go into a feeding frenzy of inconceivable ferocity. The creature shot its beams this way and that, pouring the destructive force of its energy into us; maiming, killing, destroying, and for a moment appeared to be getting the upper hand. It was time for me, the chief, to enter the fray.

With a leap I jumped onto the transparent globe on top of its body and sank my fangs into the smooth surface. The top of the disk crumbled and there was a whoosh of gas and inside I could see a soft hairy thing which I immediately bit. The flavor was indescribably delicious but the thing was still alive and was able to bring its shooter up to my abdominal segment and fire.

In the silence of space I saw my body divide into two wildly flailing parts. My entrails unwound into the ether and large quantities of blood escaped in shimmering globules. My time was up. I only had a moment of consciousness left, but that's not important. For nogs it's the species that matters, not the individual. With my last instant of wakefulness I watched as my belly disgorged hundreds of small nogs which carried the feeding frenzy into the gaping hole in the shattered dome.

Life goes on.

I GET MY COMEUPPANCE

This is for all the Theory Corner people who were mad at me for making pictures collide with the right sidebar. I can't promise to fix that right away...I just think it's funny...but readers deserve some satisfaction for all the suffering they've endured. For those readers I offer this picture (above) of me getting my just comeuppance.

As long as I'm in a confessional mood, I'll admit that I went out of my way to find pictures of busy subjects with the intention of buggering up the sidebar even more than I normally do.  I looked for pictures of messed-up hair, tangled wire, and spaghetti.

Why? Why do I have this irresistible urge to mess up my beautiful sidebar?  I don't know. It's one for the psychologists, I guess. I'll just offer my chin for one more chastisement then go back to my hole under the gnarled oak tree and nurse my wounds with the water beetles.



 

CONFESSING MY VENALITY

I consider myself a kind man and a good neighbor. I look in the mirror and I see a sainted man full of the milk of human kindness, a real pillar of the community...or at least I did until the other day when a friend asked me to show him how Photoshop works.  I found myself saying, "Bugger off!  I had to learn it the hard way, and so should you!"  

Actually I didn't say anything like that, but I rattled off some sugar-coated bromide that meant the same thing.  A minute later I felt terrible. How could I be so mean, I who had my tin cup out, begging friends for Photoshop help only a short time before? I made a note to call my friend back and offer to help, and also to try to understand my own selfishness.

After thinking about it, I concluded that maybe I'm not really such a jerk after all, that maybe something about Photoshop actually encourages behavior like that.  I had just learned it (sort of) and like everyone else I'd convinced myself that I'd just breezed through it, with no trouble at all. It was a comforting myth, and it made me feel good about myself. Now, with someone asking me to teach them, I was suddenly forced back into reality, and the painful memories of a time when it seemed I could do no right with the program.  Nothing makes you madder than being confronted with reality.

What is it about programs that makes every user construct a personal mythology where every obstacle was painlessly pushed aside?  Something about computer culture makes every initiate a collaborator in the conspiracy to make computing seem faster to learn than it really is.
 

The computer era I live in reminds me of the way things were a hundred and fifty years ago when refined people wore starched shirts and whalebone corsets with rib-deforming waists and hoop skirts and elaborate hairstyles. Of course the trick to making all this bearable was to put all the fuss of morning dress-up out of your mind, and imagine that that you just put on whatever was handy.  Tom Wolfe nailed it when he said that human beings are status-seeking creatures and we'll do anything to convince ourselves and others that we acquired our god-like attributes with no effort at all.

Soon I'm going to try to pick up the relevant parts of Illustrator and Flash. Then there's...Groooooooan!... ToonBoom. That's going to take time. I'd much rather spend the time improving my drawing and animation, but if I want to stay employed...

Oh well, at least I'll have the satisfaction of knowing that after I go to all this stupid trouble I can create a memory for myself that I learned the programs effortlessly, in a few weeks.