ARTS & CRAFTS INTERIORS CIRCA 1900

I call a house like this (above) "Victorian" but it was in a book on the Arts and Crafts Movement so I'll include it here. Maybe the white trim qualifies it as an A & C house. I love houses like this but the interiors didn't always match the brilliance of the exteriors.

People of that era favored awkward high ceilings and furniture (above) that seemed oddly uncomfortable and out of place.

Low ceilings (above) worked a lot better. The low ceiling above offers shelter and helps to emphasize the luxurious width of the room. I love beamed ceilings, especially the ones that have occasional extra-thick beams for carving. I'll bet the orangey varnished wood looked great by candle light, and the reader at the raised desk in the foreground must have felt like a king when he surveyed the room.

I hate to say it, but even a terrific room like this has some defects. Arts & Crafts people didn't believe in comfortable chairs. They favored the medieval straight-backed chair and the bench. They also didn't believe in large social spaces. They'd design a big space like the one above then break it into tiny alcoves.

Even the alcoves weren't really social. Look at the big alcove on the right, above. Two uncomfortable and unmovable bench-sofas face each other across an awkward space dominated by the fireplace. It looks great but there must be times when the owners yearned for something more comfortable and friendly.

Here's (above) an odd and uncomfortable barn of a room which still succeeds in being imaginative and stimulating. The plain, maybe too plain, white cabinet dominates. The recessed bench area looks like a theater proscenium. I like the Nordic chevron pattern on the cabinet.

It's funky, and probably impractical, but I like it. The room above looks like The Globe Theater.

The color in watercolor above is so appealing that it distracts us from the defects of the room. The long, narrow shape of the dining room is uncongenial to pleasant eating and the china cabinet sits there like a big T-Rex, threatening to eat the guests.

I don't understand the appeal of monstrous cabinets, especially when the precious dishes they're supposed to contain are locked away, out of sight.

This picture (above) is off-topic but I couldn't resist including it. It's the Hungarian Pavilion at an international exhibition held in 1901. I love the stark, expressionist roof tops. I also like the way they're set off nicely by the girders in the ceiling above.