Showing posts with label jung. Show all posts
Showing posts with label jung. Show all posts

Saturday, May 30, 2009

"ANONYMOUS" WRITES ABOUT ELECTRO-SHOCK THERAPY


I recently wrote a post about electro-shock therapy (ECT) where I also touched on the treatment of people who hear voices. I know nothing about these subjects and I was hoping that someone who did would correct me if needed. Well, someone did! Many thanks to two anonymous commenters for the replies which are re-printed below.  


No one is getting forced ECT anymore. It has been a long long time since that sort of thig happened.

ECT is used for severe refractory depression where either drugs and therapy has not worked and the patient agrees, or where the patient is so depressed they have shut down and would need a feeding tube to be placed!



I taught the psychiatry class at our Med College and have since specialized in Anesthesiology and see maybe 10 ECTs a week. They are pretty benign now. The current is much lower, the patient is paralyzed so they can't hurt themselves, and the main side effect is a few hours of confusion and occasionally some "word salad", which is where the patient tries to say something but random words come out. They realize what is going on and you have to tell them that it will only last a little while. Most laugh about it later (A good sign compared to lying in bed starving to death) and one guy actually asked my nurse to record him if he had it again. He did, and she did, and he played it for his family.

The goal of ECT isn't to cure depression, although in the minority of cases it can do that. The goal is to break the untreatable deep depression so that the meds and therapy can work before the person shuts down again.



As for the lady in the video (Liz Spikol, above). Its pretty clear she is having some thought content and process issues. Makes for an interesting show though.

And psychiatrists are not telling people to talk to their voices or that they are "real" in the sense people are making here. They do know that there are neural connections misfiring and the person is actually hearing the voices, so it is "real" in that sense, but they are not having people reason and engage the voices. That does no good. They are having people realize what they are and try to work around them, but not to encourage them to talk to them.



And Jung (above) was crazy. Read his actual writings and it is clear he was as crazy as many of his patients. I wonder if he was doing the Coke like Freud did... may explain it.

And the guy with the Egyptian delusion/myth/whatever you want to call it. How is it unreasonable that the person would be exposed to that? Starting in the 40s and 50s we started seeing tons of alien abductions and alien obsessed delusions, and many were consistent with each other. In Jung's time Egyptology was VERY popular both to the upper classes and the common man. Even if not, the idea that the big visable thing in the sky blows the air around isn't that special.

Here's the second comment, also anonymous:



Hey Uncle Eddie - long time follower, first time commenter... er. I was thinking about your blog on the train today, especially about the entry Mad Pride and the comments by Anonymous. I guess, as with many things, everyone is a little bit right and a little bit wrong about most things. Like Spikol, I have experienced long term major depression which resulted in numerous hospitalisations and on three of those occasions I underwent varying numbers of ECT episodes (the most intensive being 18 treatments over a 6 week period). Unlike Spikol, I was not issued with any incontinence products and fortunately all the staff I ever encountered were most empathetic. However, I did experience headaches, tension in my jaw, disorientation and significant short term (and ultimately long term) memory loss. A number of years later there are still large pockets of memory that I never regained, I believe it has probably been exacerbated by the ECT but I think such a long and entrenched depression has wreaked havoc on my comprehension skills and memory – which provides great opportunities for my siblings to invent histories for me! My protests of “I would never get drunk and fall asleep in the shower recess, missing Christmas dinner and forever disgracing the family” are only half hearted, because I can’t really be sure... but then I am also painfully aware of what my sibling’s idea of fun is too. It can be disconcerting to look at photos of your adult self and not remember the occasion when it was taken. I am aware of a number of people who have benefited from ECT, even though I don’t believe I was one of them. Ah, but there is a happy end note... I am now the most ‘well’ I have been in years thanks to a combination of a therapy program that worked for me and greater access to mental health services and probably good luck: I still find myself weeping sometimes during the news (but that’s probably healthy) and I sometimes become overwhelmed with anxiety (but that’s probably because I’m doing things I haven’t done in years). When I think of my years in ‘the wilderness’ I do feel a sort of pride: In the same way those that have survived a terrifying holiday-from-hell might – so you planned on sun, sea and sand but you got a cyclone, a military-cop, a missing captain and a drunk navigator! You can only wear the scabs and scars of the Bed Bug bites with pride... what else is there do? A note from the Outpost...

Monday, March 02, 2009

FELLINI'S PSYCHO-ANALYSIS


A lot of people don't know that Fellini used to be a cartoonist, and that he kept an extensive visual  journal of his dreams during the period when he made his best films.



Fellini was being analyzed at the time, and a lot of his cartoons have psycho-analytic themes.


The analysis seemed to have served him well, if you can judge by his drawings. I love the way the woman above casually touches the Moon...or is the face above her head just someone she knows?  Either way, it's a different approach than you see in most sketchbooks. 



His analyst told him to keep a record of his dreams and you can buy it for the princely sum of $125.  Man, books are expensive!
 


Fellini's analyst was a Jungian. Jungians believe that the unconscious is where our true psyche resides. According to Wikipedia, the unconscious expresses itself to us through dreams, which are an attempt of the mind to resolve contradictions between the narrow, literal conscious and the expansive, intuitive, creative unconscious. If troubled, we can only find peace by finding out what the unconscious mind has to teach us about the situation, and for that Jungians use dream analysis. 



I'm not a Jungian myself, I just can't see much evidence to back it up, but I can imagine how persistent analysis of dreams could benefit an artist.  In spite of my skepticism, if I ever entered analysis I'd probably do the same thing Fellini did , and try the Jungian method.


Look what it did for Fellini! Wouldn't you say that his brilliant "8 1/2" was one long stream of dream images held together by a flimsy plot? Don't get me wrong, I love plot and I love tight stories, but I also like the way plot and intuition come together in films like the ones Clampett made. There's room for both, don't you think?


I just thumbed through the Fellini book at the bookstore, and was amazed at how many of his dreams had to do with sex. That shouldn't have surprised me; I mean, he's a man after all.  He seemed to be trying to come to terms with the strange, larger-than-life women around him. for Fellini they were big, gaudy, flamboyant creatures who were obsessed and manic about issues that men find puzzling and don't even understand. They were alternately mothering and sentimental, and scheming and flighty. We lust after them and they return the lust...or not. It depends on the mood they're in.



I wonder if analysis helped Fellini to come up with the unforgettable primal images in his films. I've seen lots of lovers-in-the-fountain scenes in movies, but none so memorable as the ones in "La Dolce Vita" (above and below).



Why is this beautiful girl with big breasts so attractive here, or have I just asked a stupid question? I think it has something to do with the large area between the breasts and face, and the contrast of the solid black gown. I wouldn't be surprised if Fellini drew these scenes before filming them.  I saw several images in the book that could have been this woman, and a couple were surrounded by yellow marker auras that indicated that she radiated something intense.



The actress brings a lot to it.  She's so mysterious, so languid, so living in the moment and aloof from anything but the water...and there's um...well, those big breasts! 



I wonder if Fellini drew Mastriani's outfit in 8 1/2 and had the costume custom-made for the film. There's something iconic about it. 



Olivier said he needed costume to get into a character. He hated rehearsals which weren't dress rehearsals. Is it costume that makes Mastriani so special in this film?



Was that hat (above) made from a drawing just for the film? That and the glasses make Mastriani one of the most remembered characters in the history of film. Did dream analysis somehow contribute to this?

Note: Thanks to Michael Sporn's July 2007 blog entry for some of the images used here.