DISNEYLAND ARCHITECTURE

One of the things I do at Disneyland is look for ideas I can adapt to my own house. I could easily spend a profitable day just looking at the ironwork on fences or the doorknobs on dungeon doors. I was there this weekend but my camera was on the fritz and I didn't get too many useful photos. That's okay. I'll supplement my own pictures with ones from the net.

Here they are. See what you think.

Here's (above) the Small World facade, beautifully designed by Mary Blair. Geez, with foam core and an exacto I could make a miniature facade of my own design for....no, wait a minute. That would probably be more trouble than it looks.

Above, nice vintage explorer photos in the Indiana Jones ride.

Old explorer photos would be great additions for the wall of a boys room...or a guest room that looks like a boys room. Add to this Bill Peet layout a nice map and maybe a fish tank and a Navajo rug...Wow, it would be a kid Paradise.

Here's some interesting lamps from Disneyland's Mexican restaurant. I wonder if this type of lamp would work in my house? I'm not sure.

And talking about lamps, how do you like these rice paper lanterns over the Teacup ride? I notice that blue dominates, red and purple are secondary and yellow is only an accent.   If I ever throw a party in my back yard I'll know what to reference.

Here's (above) how architect Cliff May designed a room for a client who had a paper lamp collection. He made the walls brown so the yellow lamps would read better.

I get a million ideas for garage rafters (above) at Disneyland.

And all the Alpine ideas at the Park! They're endless!

Haw! I'd like to embellish my back fence with artifacts like these (above), from Adventureland. I wonder what my neighbors would say?

FROM MY FAMILY SCRAPBOOK

Here's a few pictures of family and friends but I can't identify anyone because I don't think they'd want me to. That's me above, together with an acrylic portrait done by a friend I haven't seen in ages. Haw! I had to crop the photo because he gave the painting a gut the size of a wrecking ball.

When my family visits we usually go to an art museum.

BTW: Isn't Photoshop amazing? That yellow face on the left of the museum photo was facing forward when I found it on the net and I used Photoshop to warp it into a profile.

I'm dying to name names, but I'd better not.

My Captain Hook mask feels like family, thus it has a place in the family file. It's sadly decaying now. I had to put on glasses to cover up chipping in the eyes.

Here's (above) me with a friend of a friend. I don't know this person very well but if you're a female in a bikini and your arm is around me then you definitely rate a place in my scrapbook.

Here's (above) an illustration for a book about horses by a namesake. Gee, my namesake wasn't very good at spacing his letters.

When I first met John this (above) was his favorite pizza restaurant. I think he just liked the menu cover, which I have to admit was a work of art. I offered to buy it and the owner gave it to me for nothing. I think I'll frame it.

That restaurant also sticks in my mind because it was filled to the gills with plastic fruit and artificial vines with bar-code labels. All the vines stood straight up because the owner regarded them as so beautiful when new that he couldn't bring himself to bend them.

By the way: congrats to all the graduates out there! You made it!!!!!!! For you I reprise "Gaudeamus Igitor" from YouTube. It's the traditional academic anthem from medieval Europe. Youtube has other translated versions but I think you'll especially appreciate this one. Congratulations!!!!!!!!!!!!!!

THE LATEST ASTRONOMICAL PICTURES 6/2015

This (above) should get an award for the best astronomy photo of the year. It's a jagged cliff looming over a gravel foreground on the comet Churyumov-Gerasimenko. The part of the cliff we see in this picture is 850 meters wide.

Here's (above) Saturn's moon, Hyperion. Despite its 250 kilometer size, the spongey moon exerted very little gravitational pull on the probe that took the picture. It's mostly hollow inside, in the way that a sponge is hollow. The oddly-shaped craters are thought to be that way because the impacts that created them threw the ejecta into space rather than compacting it into the surface.

Here's (above) a creepy picture that's generating a lot of controversy. The star on the lower left is a supernova first seen a few weeks ago near the disk galaxy it seems to be associated with.

Calculations of the star's distance and brightness have led some to conclude that the great majority of energy in the universe is contained in the fabric of space itself, and not in galaxies and stars.

These computer-generated pictures show Pluto's moon "Nix" tumbling wildly around the common center of the double planetoid, Pluto/Charon. We'll know more about this in a month when NASA's Pluto probe passes these bodies.

MORE RANDOM EDDIE SKETCHES

Here's some idea sketches I did for various projects I worked on.

Haw! I like the idea of an inventor who's harried by his own inventions. Here Igor tries to impress his master by making everything user friendly, and then has to live with the consequences.

This (above) is an excerpt from something I did for Theory Corner. Normally I can't draw John but for some reason I don't have any trouble doing continuity about him. Maybe that's the secret of caricaturing hard to draw people...you do a comic about them and a different part of your brain kicks in.

Here's (above) a sketch from another strip. How do you like the short bell bottoms John's wearing? He doesn't really dress like that but he used to draw other people that way and I picked it up from him.

Here's (below) a fragment of a different continuity, also for Theory Corner. It's about an acting class exercize....

...well, it went on for a couple more pages. This reminds me that I seriously considered taking acting classes at one time. I didn't want to be an actor, I just wanted to see if doing that would make me a better storyboarder. I didn't end up doing it because I became interested in something else instead...stage movement.

By that I mean how an actor sits, walks, gestures, enters and exits and relates to other actors. There used to be lots of acting coaches who taught this sort of thing but they're a rarity now. I couldn't find one, and I live near Hollywood for Pete's sake!

I had to learn stage movement on my own, being mindful of the maxim that says "The man who teaches himself is taught by a fool."

LOW COST HOUSING: CLIFF MAY

The subject is Cliff May again. I thought I'd discuss May's efforts to create low-cost housing. We know May could build wonderful ranch houses when he had a decent budget and room to spread out. Now let's see what he could do with tract houses on small urban lots.

Here's (above) one of May's smallest living rooms. It looks large because a sliding glass door has been opened and the patio's been made to look like part of the living room. Both have the same floor color and similar furniture. To heighten the effect the board and baten outdoor fence is made to look like an indoor wall. A nifty idea, eh? Of course this open wall solution only works in the sunbelt where winters are mild.

By the way, that fire pit on the patio floor (above) is for real campfires. There's no fireplace. Maybe that would have cost too much.

Here's (above) a different Cliff May house and an even smaller living room. Here the kitchen, living room and dining room are all in one enclosure. Like I said, this is a small house!

The partition behind the couch is oddly high and intrusive. It dominates the room. I'm guessing it's there because May needed space for kitchen cupboards. He couldn't put them against the glass wall facing the yard because that would have violated his belief about the need to bring the outside in. I'll bet May regretted this decision.

One last comment: Maybe May went too far in his effort to cut costs. The upper wall above the fireplace, the area just under the roof, cries out for glass. Whatever the cost it would have been worth it.

In the color photograph above we don't see the wall opposite the sofa. I like to imagine that it looked like this one (the b&w photo above) from yet another May house: louvered wall panels that open up and out during the warm weather, and which can be easily lowered when it gets cold. In the "up" position walls like this can be made to look like extentions of the roof.

And how do you like the wide steps in the back yard? That's an interesting idea, too. It makes the yard seem larger. And are the lounges in the yard deliberately smaller than normal?

I absolutely love Cliff May's designs but I have to admit that he didn't really solve the low cost housing problem. That's okay, Frank Lloyd Wright couldn't solve it either. In fact, some 60+ years later we're still wrestling with it.

We do have one advantage that architects in May's time didn't have, and that's the availability of a wide variety of small, scaled-down furniture, like the kind in the IKEA promotion above. Maybe ours will be the generation that makes the low cost breakthrough.
   

THE EVOLUTION OF THE MODERN HOUSE

Here's (above) a 1950s-type Cliff May-influenced ranch house. They're not uncommon in Los Angeles, in fact they're so common here that they hardly raise an eyebrow. That's a pity because this city's ranch homes are much underrated. They so effortlessly combine modernism and tradition that we forget how hard won that synthesis was.

A little history is in order: 

  

Europeans created modernism but they couldn't make it work. Look at this bleak design (above) for a reconstructed Paris by Le Corbusier. Parisians can thank their lucky stars that he was prevented from putting this into effect. 

Here's a factory-style house by ex-Bauhaus teacher Walter Gropius. What was he thinking of? Who wants to live in a factory?

The public liked the modern look but only for business buildings. They didn't want to live in it. The race was on to tame modernism and make the new style fit for homes, and affordable. The first American efforts (above) were hideous.

Haw! So were the second efforts (above).

Sure, Frank Lloyd Wright (above) could make it work but he built for the well off. How do you make this sort of thing available to the common man?

Eventually a potentially low cost Wright-influenced look was achieved (above) but the look required a house that was big enough to spread out a bit, sympathetic building codes and readily available pre-fab parts. I'm also guessing that the designs, as good as they were, were perceived by the public as too drastic. 

  

During this period faux modernism proliferated. In the kind of small houses most people could afford it sometimes looked shoddy and tacky...something built for the convenience of the contractor rather than for aesthetic reasons.

The guy who finally made it work was Cliff May (above). His smaller houses weren't exactly cheap and they still required a certain amount of square footage, but they were simultaneously modern and traditional, conceptually simple, and they left the door open for further simplification.

Here (above) there's a gap in my knowledge. Some genius...was it May or one of his disciples?...created the synthesis known to Southern Californians as "The Yellow Ranch House." It's affordable, Cliff May savy, modern, comfortable, compressible, can be built on a small lot...and it's low priced! No reliance on esoteric materials; every component is made of parts that can be had at any large lumber store.

It's the perfect realization of the maxim: "it doesn't have to look modern to be modern."

Boy, Cliff came through for us! He was the Bob Clampett of modern housing!

I'm amazed by the versatility in the interior design of these yellow ranch houses. You can furnish them almost as modern as you like without contradicting the house's design.

A less modern decor (above) works okay, too.

In fact, I'll bet even funky furniture like the kind in this TV set would work in those yellow ranch houses.

Thanks, Cliff! You 'da man!!!!

FROM MY SKETCH FILE

Here's a few sketches from my sketch file. This (above) is a title card I art directed. The expert lettering was done by Ted Blackman and the great character art by Jim Gomez. 

I did this drawing (above), as well as the others below. What the heck was it for? I can't remember.

This (above) isn't continuity, it's just a doodle that has sentimental value to me. The sketch on the lower right marked the first time that I realized it was possible to break the rule about silhouette value.

Above, no continuity, just more breaking of the silhouette rule, this time on the doodle on the lower left. I went out of my way to put shapes inside of each other and it worked...in my opinion, anyway.

'Just fooling around.

Above, a couple of unused panels from Spumco's "Fire Dogs 2."

Haw! This (above) was an unused idea from the theme park level of the video game.

Above, Little Miss Muffit, my favorite Nursery Rhyme character.